{"title":"船上发生了什么?世界上发生了什么?西班牙共和国难民在SS锡那亚越过墨西哥(1939年)","authors":"Martin Schieder","doi":"10.1086/724139","DOIUrl":null,"url":null,"abstract":"On 25 May 1939, the SS Sinaia left the French port of Sète, bound for Veracruz in Mexico. On board were 1,599 Republicans looking for a new home in Mexico after the end of the Spanish Civil War. During the crossing, the onboard newspaper, Sinaia: Diario de la primera expedición de republicanos españoles a México was published, providing reports of daily life on the ship and preparing the asilados (asylees) for society, culture, and politics in Mexico. ¿Lo que pasa a bordo? ¿Lo que pasa en el mundo? (What’s happening on board? What’s happening in the world?) Taking these questions as a starting point, this article adopts a transnational and transcultural perspective to show how the exiles’ experience of the crossing constituted a temporal and spatial dislocation between the self and that which is foreign, between the “Spanish” and the “Mexican.” Analyzing previously unpublished photographs by David Seymour (“Chim”) in terms of their symbolic imagery and political intent, this discussion demonstrates how the Spanish Republicans used the crossing to mediate their exile. Finally, it examines how artists translated the journey to Mexico, a cross-cultural event, into their specific artistic practices.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"17 1","pages":"81 - 106"},"PeriodicalIF":0.1000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"¿Qué pasa a bordo? ¿Qué que pasa en el mundo? The Crossing of Spanish Republican Refugees on the SS Sinaia to Mexico (1939)\",\"authors\":\"Martin Schieder\",\"doi\":\"10.1086/724139\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On 25 May 1939, the SS Sinaia left the French port of Sète, bound for Veracruz in Mexico. On board were 1,599 Republicans looking for a new home in Mexico after the end of the Spanish Civil War. During the crossing, the onboard newspaper, Sinaia: Diario de la primera expedición de republicanos españoles a México was published, providing reports of daily life on the ship and preparing the asilados (asylees) for society, culture, and politics in Mexico. ¿Lo que pasa a bordo? ¿Lo que pasa en el mundo? (What’s happening on board? What’s happening in the world?) Taking these questions as a starting point, this article adopts a transnational and transcultural perspective to show how the exiles’ experience of the crossing constituted a temporal and spatial dislocation between the self and that which is foreign, between the “Spanish” and the “Mexican.” Analyzing previously unpublished photographs by David Seymour (“Chim”) in terms of their symbolic imagery and political intent, this discussion demonstrates how the Spanish Republicans used the crossing to mediate their exile. Finally, it examines how artists translated the journey to Mexico, a cross-cultural event, into their specific artistic practices.\",\"PeriodicalId\":41510,\"journal\":{\"name\":\"Getty Research Journal\",\"volume\":\"17 1\",\"pages\":\"81 - 106\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Getty Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/724139\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Getty Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/724139","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
1939年5月25日,党卫军西纳亚号离开法国塞特港,前往墨西哥韦拉克鲁斯。西班牙内战结束后,1599名共和党人在墨西哥寻找新家。在穿越期间,船上报纸《Sinaia:Diario de la primera expedición de republicanos españoles a México》出版,提供船上日常生活的报道,并为墨西哥的社会、文化和政治做好准备。?这是边境吗?世界末日?(船上发生了什么?世界上正在发生什么?)本文以这些问题为出发点,采用跨国和跨文化的视角,展示了流亡者的穿越经历是如何构成自我与外国、“西班牙”与“墨西哥”之间的时空错位的。通过分析大卫·西摩(“Chim”)之前未发表的照片的象征性形象和政治意图,这场讨论展示了西班牙共和党人是如何利用过境来调解他们的流亡的。最后,它考察了艺术家如何将墨西哥之旅这一跨文化事件转化为他们的具体艺术实践。
¿Qué pasa a bordo? ¿Qué que pasa en el mundo? The Crossing of Spanish Republican Refugees on the SS Sinaia to Mexico (1939)
On 25 May 1939, the SS Sinaia left the French port of Sète, bound for Veracruz in Mexico. On board were 1,599 Republicans looking for a new home in Mexico after the end of the Spanish Civil War. During the crossing, the onboard newspaper, Sinaia: Diario de la primera expedición de republicanos españoles a México was published, providing reports of daily life on the ship and preparing the asilados (asylees) for society, culture, and politics in Mexico. ¿Lo que pasa a bordo? ¿Lo que pasa en el mundo? (What’s happening on board? What’s happening in the world?) Taking these questions as a starting point, this article adopts a transnational and transcultural perspective to show how the exiles’ experience of the crossing constituted a temporal and spatial dislocation between the self and that which is foreign, between the “Spanish” and the “Mexican.” Analyzing previously unpublished photographs by David Seymour (“Chim”) in terms of their symbolic imagery and political intent, this discussion demonstrates how the Spanish Republicans used the crossing to mediate their exile. Finally, it examines how artists translated the journey to Mexico, a cross-cultural event, into their specific artistic practices.
期刊介绍:
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.