爱沙尼亚艺术对列宁和斯大林的描绘是苏联权威话语转变的标志

IF 0.1 0 ART
T. Tatar
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引用次数: 0

摘要

本文分析了苏联占领爱沙尼亚期间,爱沙尼亚艺术家对苏联领导人的描绘变化。更具体地说,列宁和斯大林形象的变化是根据阿列克谢·尤尔察克的苏联权威话语的表现性转变的概念来看待的。在苏联占领的40多年期间,描绘列宁和斯大林的传统经历了几次显著的变化,或多或少地反映了苏联政治的转变以及爱沙尼亚艺术的发展。本文认为,领导人形象的变化构成了这些艺术作品的基本含义和信息。特别是从20世纪60年代末开始,一种越来越有趣和讽刺的基调盛行起来。在使用爱沙尼亚艺术中对苏联领导人的描绘来测试上述理论结构时,本文得出的结论是,爱沙尼亚艺术中官方话语的变化并不完全符合Yurchak所描述的表演转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Depiction of Lenin and Stalin in Estonian Art as an Indicator of Shifts in the Soviet Authoritative Discourse
The paper provides an analysis of changes in depiction of Soviet leaders by Estonian artistsduring the period of Soviet occupation of Estonia. More specifically, changes in theiconography of Lenin and Stalin are viewed in light of Alexei Yurchak’s concept ofperformative shift of the Soviet authoritative discourse. During the over 40-year period of Soviet occupation conventions of depicting Leninand Stalin underwent several notable changes that more or less reflected shifts in the Sovietpolitics as well as the developments in Estonian arts. The paper argues that changes in thedepiction of the leaders amounted to the fundamental meaning and message of these works ofart. Especially from the end of the 1960s, an increasingly playful and ironic undertoneprevailed. In using the depictions of the Soviet leaders in Estonian art to test the aforementionedtheoretical constructions, the paper however concludes that changes in the official discoursein Estonian arts did not wholly conform to the performative shift as described by Yurchak.
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来源期刊
CiteScore
0.20
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0.00%
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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