做医学的工作?医学电视节目与病人行为

Q4 Arts and Humanities
T. Boon, J. Gouyon
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引用次数: 0

摘要

本文探讨了60年代及以后电视节目对塑造英国医患关系的贡献。我们的核心主张是,医学电视节目将患者的特定地位归因于观众。这就是我们所说的“住院病人”。在这篇文章中,我们讨论了英国广播公司的一些以医学为中心的节目,从1958年的《国家随叫随到》;到1985年的“发现奖”,研究在20世纪70年代初英国向被称为“现代医学”的过渡过程中,电视是如何伴随着患者期望行为的发展的。为了支持我们关于“隐形病人”的论点,我们将其与20世纪60年代初的自然史节目进行了比较,这些节目同样规定了特定的机构作为野生动物电影制作的潜在参与者。我们得出的结论是,生物医学电视节目中包含了“患者立场”,向外行提出了如何接受医学专业知识的建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Doing the Work of Medicine? Medical Television Programmes and Patient Behaviour
This article explores the contribution of television programmes to shaping the doctor-patient relationship in Britain in the Sixties and beyond. Our core proposition is that TV programmes on medicine ascribe a specific position as patients to viewers. This is what we call the ‘Inscribed Patient’. In this article we discuss a number of BBC programmes centred on medicine, from the 1958 ‘On Call to a Nation’; to the 1985 ‘A Prize Discovery’, to examine how television accompanied the development of desired patient behaviour during the transition to what was dubbed “Modern Medicine” in early 1970s Britain. To support our argument about the “Inscribed Patient”, we draw a comparison with natural history programmes from the early 1960s, which similarly prescribed specific agencies to viewers as potential participants in wildlife filmmaking. We conclude that a ‘patient position’ is inscribed in biomedical television programmes, which advance propositions to laypeople about how to submit themselves to medical expertise.
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期刊介绍: Gesnerus is the official journal of the Swiss Society for the History of Medicine and Sciences (SSHMS). It publishes original articles, short communications and documents on different periods and aspects of the history of medicine and sciences and also focuses on theoretical and social aspects of this subject.
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