摩罗的音像机

Angelo Ali Naser, S. Rose
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引用次数: 0

摘要

本文对莫罗语的意指音进行了描述性研究,利用Thetogovela方言的数据分析了意指音的结构特征和用法。我们描述了它们的发音模式、词的分类和在句子中的位置,并讨论了它们的意义和约定俗成。摩洛语的意指乐器传达了广泛的感官意义,包括声音、触觉、运动和视觉模式。它们是不屈折的,通常最后出现在话语中,最接近副词。表意音素通常由支持动词引入,包括“do”、“be”和“eat”,后者用于视觉模式。意指音可能表现出重复,这在某些情况下可以对应于复数性。摩洛语发音机的主要独特的声音模式是更广泛的障碍分布,以及表现力的持续时间和发音的表演使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ideophones in Moro
This article presents a descriptive study of ideophones in Moro, addressing both their structural characteristics and usage, with data from the Thetogovela dialect. We describe their sound patterns, word categorization and placement within sentences, and discuss their meaning and conventionalization. Moro ideophones convey a wide range of sensory meanings, including sound, touch, movement and visual patterns. They are uninflected and typically appear utterance finally, most closely resembling adverbs. Ideophones are often introduced by support verbs, including ‘do’, ‘be’ and ‘eat’, the latter for visual patterns. Ideophones may exhibit reduplication, which in some cases can correspond to pluractionality. The main distinctive sound pattern of Moro ideophones is a wider distribution of obstruents, as well as a performative use of expressive duration and phonation.
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