论卡通物理的引力或者,Schrödinger的Coyote

Q1 Arts and Humanities
V. Kennedy
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引用次数: 0

摘要

当Wile E.coyote从悬崖上掉下来时,他没有像抛物线一样摔倒,而是在半空中停了下来,一直悬在那里,直到他意识到自己不再在坚实的地面上,然后摔倒了。许多评论家,甚至是漫画的创作者,都将其描述为“漫画物理学”,它打破了似乎支配现实世界的规则,但事实上,这里描述了现代物理学的几个原则。他既在跌倒,也没有跌倒;当他能够观察到自己的处境时,量子物理定律就会跟上他的步伐。这一点,以及相对性原理,支配着卡通世界明显的悖论。尽管根据他的创作者的说法,这只郊狼被认为是对一位现代科学家的模仿,并被用来搞笑,但他展示了现代科学的几个悖论,以及人们对这些悖论的不安。这些卡通物理学已经成为一种模因,在后来的动画和真人科幻电影中发展起来,现在甚至成为现代科学教科书的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Gravity of Cartoon Physics; or, Schrödinger’s Coyote
When Wile E. coyote goes off a cliff, instead of falling in a parabolic arc, he comes to a halt in mid-air, hangs there until he realizes that he is no longer on solid ground, then falls. Many critics and, indeed, the creators of the cartoons themselves, describe this as “cartoon physics,” which breaks the rules that appear to govern the real world, but several principles of modern physics are in fact depicted here. He is both falling and not falling; when he is able to observe his situation, the laws of quantum physics catch up with him. This, and the principle of relativity, govern the apparent paradoxes of the cartoon world. Although the coyote was, according to his creators, conceived as a parody of a modern scientist and played for laughs, he illustrates several paradoxes of modern science and the unease with which these are widely viewed. These cartoon physics have become a meme that has developed in later animated cartoons and live-action science fiction films, and is now even a part of modern-day science textbooks.
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来源期刊
ELOPE: English Language Overseas Perspectives and Enquiries
ELOPE: English Language Overseas Perspectives and Enquiries Arts and Humanities-Literature and Literary Theory
CiteScore
0.70
自引率
0.00%
发文量
10
审稿时长
16 weeks
期刊介绍: ELOPE: English Language Overseas Perspectives and Enquiries (http://revije.ff.uni-lj.si/elope) is a double-blind, peer-reviewed academic journal that publishes original research articles, studies and essays that address issues of English language, literature, teaching and translation. The guest editors, Jason Blake and Michelle Gadpaille, warmly invite contributors to submit original research for a special issue of the journal in honour of Margaret Atwood’s 80th birthday. Papers are solicited that focus on Atwood’s 21st-century work (excluding film and television adaptations). Potential topics include but are not limited to the following: Experiments in short prose and cross-generic forms Eco-critical engagement in prose or fiction; Apocalyptic Atwood Reception across cultures, languages and generations; global Atwood Translation and stylistic studies of 21st century works Poetic legacy Interdisciplinary approaches Humour.
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