我们应该讨论的是新世

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-03-01 DOI:10.1017/S1054204322000697

Wendy Arons

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引用次数: 1

摘要

“人类世”这个词是模糊的，作为一个分析框架，它有一个严重的盲点:源于“人类时代”成本和收益分配不均的冲突，这正是我们这个领域的艺术家应该关注的生态冲突。我们应该谈论的是“资本新世”，这个术语将气候变化置于资本主义和殖民主义的历史之中，并提出值得在我们的舞台上展示的故事。

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We Should Be Talking about the Capitalocene

The term “Anthropocene” is obfuscatory, and as an analytic framework it has a serious blind spot: the conflicts stemming from the uneven distribution of the costs and benefits of the “Age of Man,” which are the very eco-conflicts on which artists in our field should focus. We should be talking about the “Capitalocene,” a term that locates climate change within the history of capitalism and colonialism, and suggests stories that deserve time on our stages.

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance