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引用次数: 1
摘要
摘要“存储展览”是指博物馆永久藏品中展示的分阶段存储区域。在博物馆藏品中展示这些储藏空间的目的是什么?我假设它们是最重要的解释空间,旨在扩大博物馆和公众之间的对话。对三个案例的研究(堪培拉的澳大利亚国家博物馆、米兰的Pinacoteca di Brera和曼海姆美术馆)揭示了这些展览所发挥的不同功能。他们可以展示博物馆如何保护其社区的遗产,也可以对博物馆专业人员自己所做的工作发表看法。该研究还说明了此类展览如何提供一个镜头,通过它来了解和探索特定机构的展览和藏品。最终,每一个案例都是由一种批判性的自反性引导的,这种自反性将博物馆物品的展示扩展到博物馆本身的作品展示,从而向公众开放博物馆作品的性质。
‘Storage Exhibitions’ in Permanent Museum Collections
Abstract 'Storage exhibitions' refer to staged storage areas displayed within a museum's permanent collection. What is the purpose of displaying these storage spaces within a museum's collection? I hypothesise that they are above all interpretive spaces intended to extend the dialogue between the museum and the public. A study of three cases (the National Museum of Australia in Canberra, Pinacoteca di Brera in Milan and Kunsthalle Mannheim) reveals the different functions performed by these exhibitions. They can show how museums work to preserve the heritage of their communities or they can give view on the work carried out by the museum’s professionals itself. The study also illustrates how such exhibitions offer a lens through which to understand and explore a given institution’s exhibitions and collections. Ultimately, each case is led by a sense of critical reflexivity that extends the display of museum objects to the display of the work carried out in the museum itself, hence opening up the nature of the museum’s work to the general public.
期刊介绍:
In its new revised form Museum International is a forum for intellectually rigorous discussion of the ethics and practices of museums and heritage organizations. The journal aims to foster dialogue between research in the social sciences and political decision-making in a changing cultural environment. International in scope and cross-disciplinary in approach Museum International brings social-scientific information and methodology to debates around museums and heritage, and offers recommendations on national and international cultural policies.