音乐,记忆和回忆录:与新兴流派的批判性和创造性的参与

Q2 Arts and Humanities
R. Edgar, F. Mann, H. Pleasance
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引用次数: 0

摘要

在这篇文章中,我们概述并探索了一种参与当代音乐回忆录的多元和灵活的方法。在这些文本中,叙事实验和对声音形状内容的自觉质疑。它们模糊并混合了记忆、故事和神话之间的界限。它们为识字和文化参与的读者提供了塑造自己的音乐历史和记忆的机会。我们认为这是一种新兴的游戏类型。我们的工作,我们正在开发一个即将出版的编辑集题为音乐,记忆和回忆录,接近这种流动的流派与流动的方法。我们在阅读文本时将学术严谨和批判性分析结合起来,但这些结合了对我们自己的批判性和文化声音的开放式和反思性方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music, Memory and Memoir: Critical and creative engagement with an emerging genre
In this article, we outline and explore a plural and flexible methodology for engaging with the contemporary music memoir. These are texts in which narrative experimentation and self-conscious interrogations of voice shape content. They are texts that blur and blend the lines between memory, storytelling and myth. They offer a literate and culturally engaged reader the opportunity to shape their own musical histories and memories. We view these titles as a new and emerging genre. Our work, which we are developing in a forthcoming edited collection entitled Music, Memory and Memoir, approaches this fluid genre with a fluid methodology. We combine scholarly rigor and critical analysis in our readings of text but these combine with an open-ended and reflexive approach to our own critical and cultural voices.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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