{"title":"走向第八个火的途径:海龟岛上原住民表演制作的发展模式","authors":"Melissa Poll","doi":"10.1080/10486801.2021.1969556","DOIUrl":null,"url":null,"abstract":"Towards an Eighth Fire Approach: Developing Modes of Indigenous-Settler Performance-Making on Turtle Island","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"31 1","pages":"390 - 408"},"PeriodicalIF":0.3000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Towards an Eighth Fire Approach: Developing Modes of Indigenous-Settler Performance-Making on Turtle Island\",\"authors\":\"Melissa Poll\",\"doi\":\"10.1080/10486801.2021.1969556\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Towards an Eighth Fire Approach: Developing Modes of Indigenous-Settler Performance-Making on Turtle Island\",\"PeriodicalId\":43835,\"journal\":{\"name\":\"CONTEMPORARY THEATRE REVIEW\",\"volume\":\"31 1\",\"pages\":\"390 - 408\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CONTEMPORARY THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10486801.2021.1969556\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CONTEMPORARY THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10486801.2021.1969556","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
期刊介绍:
Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.