佩尼·坎德拉·里尼创作的新德河南新传统——《吉曼·马杜斯瓦拉》中的Nyarira Lagu概念

Peni Candra Rini, Pande Made Sukerta
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引用次数: 0

摘要

《Maduswara》是一部新的音乐作品,其创作基于回忆录,或者佩尼·坎德拉·里尼解读她所遇到的声音的旅程。这本有问题的回忆录是这位作曲家儿时的记忆,当时他第一次认识了tembang macapat,后来被称为wiji tembang。当艺术家长大后,这首歌继续发展成一段声音之旅,进入一所正式的卡拉威坦学校,并成为印尼苏拉卡塔艺术学院音乐系的tembang讲师。所使用的创作方法是受作曲家个人过程启发的几个阶段,即(1)反思,(2)辩证法,(4)确定形式,(5)确定媒介,(6)编制作曲乐谱,(7)跨媒介,(8)练习,(9)即兴创作。这些创造步骤最终找到了一个基于5个指标的nyarira lagu概念,即:;(1) 语言、(2)声音、(3)表达、(4)精神和(5)即兴创作
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Concept of Nyarira Lagu in Jineman Maduswara, A New Sindhenan Tradition Composed by Peni Candra Rini
"Maduswara" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation
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