非循环:休谟的“品味标准论”

IF 0.3 4区 哲学 0 PHILOSOPHY
Hume Studies Pub Date : 2023-04-01 DOI:10.1353/hms.2023.0008
M. Windsor
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引用次数: 0

摘要

摘要:对休谟的文章《品味的标准》提出的最严重的指控之一是循环性。休谟被指责用“真正的法官”来定义好的艺术,并用他们评判好的艺术的能力来定义真正的法官。首先,我认为休谟避免了循环性,因为他提供了一种在逻辑上独立于真正法官裁决的识别好艺术的方法。其次,我认为这澄清了休谟文章学术界的一个长期困惑:为什么他似乎提供的不是一个,而是两个品味标准。休谟的标准不包括一般规则;然而,休谟需要一般规则来证明某些人的品味比其他人的品味更“微妙”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Not Circular: Hume’s “Of the Standard of Taste”
Abstract:One of the gravest charges that has been brought against Hume’s essay “Of the Standard of Taste” is that of circularity. Hume is accused of defining good art in terms of “true judges,” and of defining true judges in terms of their ability to judge good art. First, I argue that Hume avoids circularity since he offers a way of identifying good art that is logically independent of the verdict of true judges. Second, I argue that this clarifies an enduring puzzle in the scholarship on Hume’s essay: why he appears to offer not one, but two standards of taste. Hume’s standard does not consist of general rules; however, Hume needs general rules to establish that some individuals’ tastes are more “delicate” than others’.
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