人物图:尼泊尔的脚手架签名和签名者

IF 1 4区 社会学 Q2 ANTHROPOLOGY
Signs and Society Pub Date : 2020-01-01 DOI:10.1086/706770
Erika Hoffmann‐Dilloway
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引用次数: 2

摘要

本文探讨了手语形式的图示表征的可供性(由图示签字人制定)如何影响对手语使用的约束的制度过程。首先,我关注这些图像在聋人教师与新手签名者社交的过程中所扮演的参与框架角色,以控制当地签名实践的基本观点逆转。然后,我探索了新手签名者在这些图像中的参与者角色是如何转变的,因为他们从动画化的手势过渡到以旨在认同所描绘的人格形象的方式表演手势。最后,通过对尼泊尔新国歌的尼泊尔手语版本的图片分析,我展示了这些人物的细节是如何随着尼泊尔毛主义内战后戏剧性的政治变化而发生变化的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Figure (of Personhood) Drawing: Scaffolding Signing and Signers in Nepal
This article explores how the affordances of pictorial representations of sign language forms (as enacted by illustrated signers) impact institutional processes of enskillment to sign language use. First, I attend to the participation framework roles such images inhabit in processes through which deaf teachers work to socialize novice signers to control the viewpoint reversals fundamental to local signing practices. I then explore how novice signers’ participant roles in relation to these images shift as they transition from animating the pictorially represented signs to performing them in ways aimed at yielding identification with the portrayed figures of personhood. Finally, through an analysis of a pictorially illustrated Nepali Sign Language version of Nepal’s new national anthem, I show how the particulars of such figures have shifted in response to dramatic political changes following Nepal’s Maoist Civil War.
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来源期刊
Signs and Society
Signs and Society Multiple-
CiteScore
1.70
自引率
0.00%
发文量
14
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