科学与艺术之间的观察。诺伍德·r·汉森、恩斯特·贡布里希和米哈伊尔·巴赫金的理论建议之间的对抗。

Cristina Voto
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引用次数: 0

摘要

本文对科学哲学家诺伍德·罗素·汉森在其著作《发现的模式》中提出的观点进行了比较。《科学的概念基础探究》([1958]1985)关于物理科学中的观察和艺术史学家恩斯特·贡布里希([1950]1999)提出的论点;[1957] 1998)和语言学家米哈伊尔巴赫金([1975]1989)关于观察在艺术和人文领域的作用和影响。这三位作者超越了他们的认知财产,承认观察的中介性质,否认纯粹观察和中立观察语言的存在
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La observación entre ciencias y artes. Una confrontación entre las propuestas teóricas de Norwood R. Hanson, Ernst Gombrich y Mijail Bajtín.
The article proposes a comparison between the arguments presented by the philosopher of science Norwood Russell Hanson in his book Patterns of Discovery. An Inquiry Into the Conceptual Foundations of Science ([1958] 1985) about observation in physical science and the arguments proposed by the art historian Ernst Gombrich ([1950] 1999; [1957] 1998) and the philologist Mikhail Bakhtin ([1975] 1989) about the action and effects of observing in the field of arts and humanities. The three authors, beyond their epistemic belongings, recognize the mediated nature of the observation, denying the existence of a pure observation and a language of neutral observation
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