{"title":"与Cildo Meireles对话","authors":"A. Román, Michael Tymkiw","doi":"10.1080/00043249.2022.2110436","DOIUrl":null,"url":null,"abstract":"Abstract In this interview, Brazilian artist Cildo Meireles looks back on his roughly half-century career and reflects on some recurring issues that have defined his art. Key among them: a spectator’s act of walking or stepping on the ground; the iterative nature of Meireles’s process for making installations; and his interest in space, place, and circulation. The interview originally took place in October 2019, shortly after the opening of the artist’s retrospective Entrevendo—Cildo Meireles at SESC Pompéia; it has since been supplemented with material from exchanges with Meireles between August 2020 and May 2021.","PeriodicalId":45681,"journal":{"name":"ART JOURNAL","volume":"81 1","pages":"22 - 38"},"PeriodicalIF":0.2000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In Conversation with Cildo Meireles\",\"authors\":\"A. Román, Michael Tymkiw\",\"doi\":\"10.1080/00043249.2022.2110436\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In this interview, Brazilian artist Cildo Meireles looks back on his roughly half-century career and reflects on some recurring issues that have defined his art. Key among them: a spectator’s act of walking or stepping on the ground; the iterative nature of Meireles’s process for making installations; and his interest in space, place, and circulation. The interview originally took place in October 2019, shortly after the opening of the artist’s retrospective Entrevendo—Cildo Meireles at SESC Pompéia; it has since been supplemented with material from exchanges with Meireles between August 2020 and May 2021.\",\"PeriodicalId\":45681,\"journal\":{\"name\":\"ART JOURNAL\",\"volume\":\"81 1\",\"pages\":\"22 - 38\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART JOURNAL\",\"FirstCategoryId\":\"1090\",\"ListUrlMain\":\"https://doi.org/10.1080/00043249.2022.2110436\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART JOURNAL","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/00043249.2022.2110436","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Abstract In this interview, Brazilian artist Cildo Meireles looks back on his roughly half-century career and reflects on some recurring issues that have defined his art. Key among them: a spectator’s act of walking or stepping on the ground; the iterative nature of Meireles’s process for making installations; and his interest in space, place, and circulation. The interview originally took place in October 2019, shortly after the opening of the artist’s retrospective Entrevendo—Cildo Meireles at SESC Pompéia; it has since been supplemented with material from exchanges with Meireles between August 2020 and May 2021.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
