{"title":"另一种工作方式:50岁的迈克尔·沃尔特斯","authors":"Paul Norman","doi":"10.1017/s0040298223000335","DOIUrl":null,"url":null,"abstract":"Abstract This article does not attempt to paint a complete picture of Michael Wolters (b.1971) as composer, teacher or researcher. Rather, it is a collection of comments and reflections drawn from a number of recent conversations with him. In these conversations we considered the work he has produced across his career, with a particular focus on his ideas about conceptual working, his outsider position and the essential part that accessibility plays in his creative decision-making.","PeriodicalId":22355,"journal":{"name":"Tempo","volume":"77 1","pages":"104 - 113"},"PeriodicalIF":0.5000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THAT ‘OTHER’ WAY OF WORKING: MICHAEL WOLTERS AT 50\",\"authors\":\"Paul Norman\",\"doi\":\"10.1017/s0040298223000335\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article does not attempt to paint a complete picture of Michael Wolters (b.1971) as composer, teacher or researcher. Rather, it is a collection of comments and reflections drawn from a number of recent conversations with him. In these conversations we considered the work he has produced across his career, with a particular focus on his ideas about conceptual working, his outsider position and the essential part that accessibility plays in his creative decision-making.\",\"PeriodicalId\":22355,\"journal\":{\"name\":\"Tempo\",\"volume\":\"77 1\",\"pages\":\"104 - 113\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Tempo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0040298223000335\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tempo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0040298223000335","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
THAT ‘OTHER’ WAY OF WORKING: MICHAEL WOLTERS AT 50
Abstract This article does not attempt to paint a complete picture of Michael Wolters (b.1971) as composer, teacher or researcher. Rather, it is a collection of comments and reflections drawn from a number of recent conversations with him. In these conversations we considered the work he has produced across his career, with a particular focus on his ideas about conceptual working, his outsider position and the essential part that accessibility plays in his creative decision-making.
期刊介绍:
Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.