编写范例

Q2 Arts and Humanities
John Wood
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引用次数: 1

摘要

文章引用了最近出版的一本关于元设计的书,询问设计师是否可以学习改变范式。将元设计定义为可扩展的适应性和综合实践的超集,它建议我们还需要包括塑造实践结果的许多设计“条件”(例如教育和培训,评估框架,国际标准和协议等)。考虑到这个想法的复杂性和范围,我们似乎有可能需要发展一种以结果而不是风格、真实性或逻辑来判断的写作类型。本文概述了一种诊断工具,使用户能够注册、评估和映射共同维持给定范式的关键关系。映射使它们能够被整体地评估。修改地图的个别部分可能有助于改变整个范式。文章还借鉴了烹饪和化学类比,以有效的方式将非系列的关键元素聚集在一起。例如,这些设计可以“乳化”团队关系或“催化”团队内部的积极参与。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Writing the paradigm
Citing a recently published book on metadesign the article asks whether designers could learn to change paradigms. Defining metadesign as an extensible superset of adaptable and comprehensive practices, it suggests that we also need to include the many ‘conditions’ of design (e.g. education and training, evaluative frameworks, international standards and protocols, etc.) that shape the outcomes of practice. Given the complexity and scope of this idea, it seems likely that we will need to develop genres of writing that are judged by outcomes, rather than by style, veracity or logic. The article outlines a diagnostic tool that enables users to register, evaluate and map the critical relationships that co-sustain a given paradigm. Mapping enables them to be evaluated holistically. Modifying individual parts of the map might help to change the paradigm as a whole. The article also draws upon gastronomic and chemical analogies to bring non-serial clusters of critical elements together in effective ways. These would be designed, for example, to ‘emulsify’ team relations or to ‘catalyse’ active engagement within groups.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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