野性设计及其在日常城市生活中的行动主义

IF 0.8 4区 艺术学 0 ART
Yaxi Liu
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引用次数: 0

摘要

摘要本研究将非专业设计定位为识别狂野设计及其在日常城市生活中的积极性的舞台,并调查了中国社会经济和文化边缘化城市人的自主创新。研究涉及两个问题:狂野的设计实践如何与时间和空间协同工作?野生设计机构如何挑战/谈判更大规模的基础设施系统?本研究旨在参考艺术家迈克尔·沃尔夫、比尔·艾奇森、黄鹤山和楚吉妮建立的视觉档案;进行实地调查和访谈;并通过分类法和案例研究方法分析经验证据。本文借鉴了米歇尔·德·塞尔托的“la perruque”和亨利·列斐伏尔的社会空间三方生产理论,认为通过在计划与非计划、稳定与可变、正式与非正式、狂野的设计之间的二元关系之外的广泛发展,为非专业设计机构提供了一个活生生的参考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wild design and its activism in everyday urban life
Abstract This research posits non-professional design as the arena where wild design and its activism in everyday urban life is identified, and investigates the do-it-yourself creativities undertaken by socio-economically and culturally marginalised urbanites in China. Two questions pertain to the research: how does wild design praxis work with time and space? how do wild design agencies challenge/negotiate with the larger-scale infrastructural system? This research sets out to refer to visual archives established by artists Michael Wolf, Bill Aitchison, Huang Heshan, and Chu Jini; conducts fieldworks and interviews; and analyses empirical evidence through taxonomies and case study approaches. Drawing upon the theories of Michel De Certeau’s ‘la perruque’, and Henri Lefebvre’s tripartite production of social space, the article argues that by growing wildly beyond the binaries between the planned and the unplanned, the stable and the variable, the formal and the informal, wild design offers a lived reference to non-professional design agencies.
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来源期刊
CiteScore
2.00
自引率
20.00%
发文量
68
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