材料中不同技术要求对小提琴演奏者练习行为的影响

Q1 Arts and Humanities
A. Strietelmeier
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引用次数: 0

摘要

教育学文献强烈建议,当音乐家练习特定曲目时,应该选择适合该材料所呈现的挑战的练习策略。这种行为选择可能代表了集中和刻意练习的实例,这是经验和获得专业知识之间关系的一个关键方面。然而,大多数研究个人实践的文献都对所有参与者使用单一刺激,或者采用调查或其他代理措施来衡量实践行为。在这项研究中,三个不同经验水平的参与者(高中、大学或专业小提琴手)练习了三个片段,每个片段都有不同的签名挑战。结果表明,实践是高度特殊的,参与者确实调整了他们的方法来应对材料的挑战,但不同经验水平的个体在材料中发现了非常相似的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Alterations in Violinists’ Practice Behaviors in Response to Differing Technical Demands in the Material
The pedagogical literature strongly suggests that when a musician works on a specific piece of repertoire, one should choose practice strategies tailored to the challenges presented by that material. Such a behavioral choice could represent an instantiation of focused and deliberate practice, a critical aspect of the relationship between experience and the acquisition of expertise. However, most of the literature investigating individual practice has used a single stimulus for all participants, or else has employed surveys or other proxy measures of practicing behavior. In this study, participants of three different experience levels (high school, collegiate, or professional violinists) practiced three excerpts, each featuring a different signature challenge. Results suggest that practice is highly idiosyncratic, that participants do adjust their approaches to the challenges of the material, but that individuals of differing experience levels identify remarkably similar problems within the material.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
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