背景中的背景

IF 0.6 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
P. Burke
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引用次数: 85

摘要

摘要:这篇文章最初发表于2002年,转载于《语境主义——下一代:方法论未来研讨会》,因为它影响了这场新研讨会的思想。伯克的论点是,语境一词已经成为“一个智力口号或陈词滥调”,它“越来越频繁地使用……在许多学科中,其中包括人类学、考古学、艺术史、地理学、知识史、法律、语言学、文学批评、哲学、政治学、心理学、社会学和神学,这是要付出代价的”。“提供了该术语及其同源词在这些学科中的使用简史,以及对“最近对重新文本主义或‘重构’现象学的兴趣”的考察,“这取决于能动性、创造力和适应能力”,事实上,这几乎定义了什么是“独创性、创新性、发明性或创造力”。这篇文章的结论是,上下文应该主要用复数形式,以表明在任何一个框架中,没有一个主题是可以正确解释的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Context in Context
Abstract:This essay, published originally in 2002, is reprinted in “Contextualism — The Next Generation: Symposium on the Future of a Methodology,” because of its impact on the thinking that informs and has led to this new symposium. Burke’s argument is that the term context has become “an intellectual slogan or shibboleth” and that “there is a price to pay” for its “more and more frequent use . . . in a number of disciplines — among them, anthropology, archaeology, art history, geography, intellectual history, law, linguistics, literary criticism, philosophy, politics, psychology, sociology, and theology.” A brief history of the uses of the term and its cognates in these disciplines is provided, along with an examination of “recent interest in the phenomenology of recontextualism or ‘reframing,’ ” which “depends on agency, creativity, and the power to adapt” and which, indeed, almost defines what is meant by “originality, innovation, invention, or creativity.” The essay concludes that context ought to be used mainly in the plural to indicate that no topic is properly interpretable in any single framework.
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来源期刊
Common Knowledge
Common Knowledge HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
21
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