{"title":"巴尔塔萨·桑佩尔和墨西哥的民间研究。被遗忘的加泰罗尼亚流亡笔记","authors":"Yael Bitrán Goren","doi":"10.24275/hgoo5427","DOIUrl":null,"url":null,"abstract":": Baltasar Samper, composer and researcher of folk music, and native of Catalonia, arrived in Mexico in 1942, together with the pianist and companion Dolors Porta as part of the Spanish exile. His stay in Mexico, plagued with incon-veniences, allowed him to create a professional research model of folk music for the recently founded Section of Musical Research of the National Institute of Fine Arts (inba, by its acronym in Spanish), as a result of his earlier work in Barcelona for the project l’Obra del Cançoner Popular de Catalunya . Based on his papers housed by the archives of National Center for Research, Documentation and Dissemina-tion of Music (cenidim, for its Spanish acronym) and other sources, this paper presents his experiences in Mexico, which given the circumstances proved rather frustrating. Samper has been largely ignored both in musicology at large and in the literature on the Spanish exile in Mexico.","PeriodicalId":38223,"journal":{"name":"Signos Historicos","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Baltasar Samper and folk research in Mexico. Notes on a forgotten Catalan exile\",\"authors\":\"Yael Bitrán Goren\",\"doi\":\"10.24275/hgoo5427\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Baltasar Samper, composer and researcher of folk music, and native of Catalonia, arrived in Mexico in 1942, together with the pianist and companion Dolors Porta as part of the Spanish exile. His stay in Mexico, plagued with incon-veniences, allowed him to create a professional research model of folk music for the recently founded Section of Musical Research of the National Institute of Fine Arts (inba, by its acronym in Spanish), as a result of his earlier work in Barcelona for the project l’Obra del Cançoner Popular de Catalunya . Based on his papers housed by the archives of National Center for Research, Documentation and Dissemina-tion of Music (cenidim, for its Spanish acronym) and other sources, this paper presents his experiences in Mexico, which given the circumstances proved rather frustrating. Samper has been largely ignored both in musicology at large and in the literature on the Spanish exile in Mexico.\",\"PeriodicalId\":38223,\"journal\":{\"name\":\"Signos Historicos\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signos Historicos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24275/hgoo5427\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signos Historicos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24275/hgoo5427","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
:巴尔塔萨·桑佩尔,作曲家和民间音乐研究者,加泰罗尼亚人,1942年与钢琴家兼同伴多洛斯·波塔一起抵达墨西哥,作为西班牙流亡的一部分。由于他早期在巴塞罗那为“加泰罗尼亚人民的Obra del Cançoner Popular de Catalunya”项目所做的工作,他在墨西哥的逗留期间受到了外来因素的困扰,使他能够为最近成立的国家美术学院音乐研究科(inba,西班牙语缩写)创建一个民间音乐的专业研究模型。根据他存放在国家音乐研究、文献和传播中心档案馆(cenidim,西班牙语缩写)和其他来源的论文,本文介绍了他在墨西哥的经历,鉴于当时的情况,这些经历被证明相当令人沮丧。桑佩尔在音乐学和关于西班牙流亡墨西哥的文学中都被忽视了。
Baltasar Samper and folk research in Mexico. Notes on a forgotten Catalan exile
: Baltasar Samper, composer and researcher of folk music, and native of Catalonia, arrived in Mexico in 1942, together with the pianist and companion Dolors Porta as part of the Spanish exile. His stay in Mexico, plagued with incon-veniences, allowed him to create a professional research model of folk music for the recently founded Section of Musical Research of the National Institute of Fine Arts (inba, by its acronym in Spanish), as a result of his earlier work in Barcelona for the project l’Obra del Cançoner Popular de Catalunya . Based on his papers housed by the archives of National Center for Research, Documentation and Dissemina-tion of Music (cenidim, for its Spanish acronym) and other sources, this paper presents his experiences in Mexico, which given the circumstances proved rather frustrating. Samper has been largely ignored both in musicology at large and in the literature on the Spanish exile in Mexico.