“形式中的形式”:詹姆斯·乔伊斯《尤利西斯》中爱尔兰身份的音律记录

IF 0.1 4区文学 0 LITERATURE, BRITISH ISLES

JAMES JOYCE QUARTERLY Pub Date : 2022-03-01 DOI:10.1353/jjq.2022.0006

Kristen H. Starkowski

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引用次数: 0

摘要

摘要：本文将韵律和声音作为詹姆斯·乔伊斯《尤利西斯》中三个男性角色之间的差异和身份斗争的重要记录。例如，与巴克·穆里根的名字和性格相关的直白诗揭示了他对国籍和男子气概的焦虑，而斯蒂芬的反瘟疫思维直接挑战了主导节奏，唤起了与他对爱尔兰民族史诗和母亲之死的信念相一致的流动性图像。最后，布鲁姆对自己思想节奏和声音的沉思反映了他对婚姻的担忧。通过这些阅读，文章将注意力放在韵律形式上，作为分析《尤利西斯》中人物心态和语言方法的一种方法。

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"Form of Forms": Meter and Sound as Registers of Irish Identity in James Joyce's Ulysses

Abstract:This essay situates meter and sound as important registers of struggles with difference and identity among the triad of male characters iin James Joyce's Ulysses. Dactylic verse connected with Buck Mulligan's name and character, for example, reveals his anxieties about nationality and masculinity, while Stephen's anapestic thinking directly challenges dominant meter and evokes images of fluidity consistent with his beliefs about an Irish natioanl epic and his mother's death. Finally, Bloom's ruminations on the meter and sound of his own thoughts reflect his concerns about his marriage. Through these readings, the essay positions attention to metrical forms as a method of analyzing casts of mind and characters' approaches to language in Ulysses.

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来源期刊

JAMES JOYCE QUARTERLY LITERATURE, BRITISH ISLES-

CiteScore

0.10

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0.00%

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期刊介绍： Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor"s "Raising the Wind" comments.