多模态隐喻:嘻哈音乐视频中模仿融合的来源

Q2 Social Sciences

Narodna Umjetnost Pub Date : 2020-12-21 DOI:10.15176/vol57no204

Gordana Čupković, Silvana Dunat

{"title":"多模态隐喻:嘻哈音乐视频中模仿融合的来源","authors":"Gordana Čupković, Silvana Dunat","doi":"10.15176/vol57no204","DOIUrl":null,"url":null,"abstract":"This paper deals with multimodal metaphors as the basis of parodic integration in selected videos and album covers by rap artist Krešo Bengalka and his band Kiša metaka. The case studies of parodic integration are marked by a spectacle that significantly contributes to the blend. The study focuses on multimodal integration and disintegration and on the reversal of the conventional way of representing both the relation between the interior and exterior and the relation between the static and the dynamic.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos\",\"authors\":\"Gordana Čupković, Silvana Dunat\",\"doi\":\"10.15176/vol57no204\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper deals with multimodal metaphors as the basis of parodic integration in selected videos and album covers by rap artist Krešo Bengalka and his band Kiša metaka. The case studies of parodic integration are marked by a spectacle that significantly contributes to the blend. The study focuses on multimodal integration and disintegration and on the reversal of the conventional way of representing both the relation between the interior and exterior and the relation between the static and the dynamic.\",\"PeriodicalId\":38816,\"journal\":{\"name\":\"Narodna Umjetnost\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Narodna Umjetnost\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15176/vol57no204\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Narodna Umjetnost","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15176/vol57no204","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}

引用次数: 0

摘要

本文研究了说唱艺术家Krešo Bengalka和他的乐队Kiša metaka在精选视频和专辑封面中作为模仿整合基础的多模态隐喻。戏仿整合的案例研究以一个对融合有重大贡献的奇观为标志。这项研究的重点是多模式的整合和分解，以及对传统的内部和外部关系以及静态和动态关系表示方式的逆转。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Multimodal Metaphor as the Source of Parodic Integration in Hip Hop Music Videos

This paper deals with multimodal metaphors as the basis of parodic integration in selected videos and album covers by rap artist Krešo Bengalka and his band Kiša metaka. The case studies of parodic integration are marked by a spectacle that significantly contributes to the blend. The study focuses on multimodal integration and disintegration and on the reversal of the conventional way of representing both the relation between the interior and exterior and the relation between the static and the dynamic.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Narodna Umjetnost Social Sciences-Cultural Studies

CiteScore

0.50

自引率

0.00%

发文量

审稿时长

20 weeks