Matthew Higgs接受Andrew Hunt采访

IF 0.1 0 ART
Andrew Hunt
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引用次数: 0

摘要

本次采访考虑了Matthew Higgs在位于纽约市切尔西的非营利艺术家经营空间White Columns的背景下,在自学成才的艺术家和发育障碍者的编程工作中所扮演的角色。对话描述了在任何批评或制度共识出现之前对作品的积极支持,并探讨了自学成才的艺术家和有发育障碍的人的绘画如何为自我反射的作品或对绘画作为一种媒介的叙事持批评态度的艺术提供一种富有成效的对比。“局外人”一词也被视为绘画的一个有用概括,这种绘画在传统的教育形式和现有的文化基础叙事之外运作。还讨论了美国和德国堪称典范的历史策展人和经销商的影响,他们是“特立独行的偶像破坏者”的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Matthew Higgs interviewed by Andrew Hunt
This interview considers Matthew Higgs’s role in programming work by self-taught artists and those with developmental disabilities within the context of White Columns, a non-profit artist-run space located in Chelsea, New York City. The conversation describes the active support of work before any critical or institutional consensus emerges around it and explores how painting by self-taught artists and those with developmental disabilities can provide a productive counterpoint to self-reflexive work or art more critical of the narrative of painting as a medium. The term ‘outsider’ is also scrutinized as a useful generalization for painting that operates outside of conventional forms of education and existing foundational narratives in culture. Also discussed is the impact of exemplary historical curators and dealers in the United States and Germany who serve to act as model ‘maverick iconoclasts’.
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CiteScore
0.30
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