通过MusioMoVigramas的创作,Festera音乐的声音景观中的创新和ICT

IF 0.8 Q3 COMMUNICATION
Ana María Botella Nicolás, Amparo Hurtado Soler, Sonsoles Ramos Ahijado
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引用次数: 3

摘要

本文是一项关于环境和音乐教育空间的声音景观、聆听和创造与再创造的研究项目的一部分。它包含了一个关于创建和使用互动式听觉教学资源的建议,即音乐动态图或音乐图,通过嘉年华、奥尔科的摩尔人和基督徒的音乐及其声音景观,与倾听和情感发展一起工作。这种资源的巨大潜力源于它能够为学生提供一个有吸引力的视觉支持,与他们所听音乐的进展同步,以这种方式,两种代码同时推进。主要目的是研究声景观和声环境,以及自然环境和感官,鼓励课堂上的听觉意识,鼓励积极有意识地倾听不同的环境或声景观,无论是有利的还是有害的。结果表明,这种类型的应用使得在教室内以准真实的方式发展对环境的感知成为可能,增加了媒介的自然感知与艺术表达之间的联系。利用信息通信技术作为横向工具,可以通过将环境声音与乐器联系起来,并根据环境选择音乐风格,从而加深视觉和声音景观的构成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Innovación y TIC en el paisaje sonoro de la música festera a través de la creación de musicomovigramas
This article is part of a research project on the sound landscape, listening and creation and recreation of environmental and musical education spaces. It consists in a proposal for the creation and use of an interactive auditory-didactic resource, the musicomovigram or musicogram in movement, to work with listening and emotional development through the Fiesta and the music of Moors and Christians of Alcoy and its sound landscape. The great potential of this resource derives from its ability to offer students an attractive visual support synchronized with the progression of the music they listen to, in such a way that both codes advance simultaneously. The main objective is to study the sound landscape and the acoustic environment, as well as the natural environment and the senses, to encourage auditory awareness in the classrooms and encourage active and conscious listening to different environments or sound landscapes, favorable or harmful. The results show that this type of applications makes it possible to develop the perception of the environment within the classroom with quasi - real approaches, increasing the connection between the natural perception of the medium and the artistic expression. The use of ICTs as transversal tools makes it possible to deepen the composition of the visual and sound landscape by relating the environmental sounds with the instruments and selecting musical styles based on the landscape.
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来源期刊
Vivat Academia
Vivat Academia COMMUNICATION-
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