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IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Computer Music Journal Pub Date : 2023-04-18 DOI:10.1162/comj_r_00628

Seth Rozanoff

引用次数: 0

摘要

2022年11月12日，SONDA电声音乐和视听表演节首次在捷克共和国布尔诺举行。SONDA是一个与SVITAVA有关的产品，SVITAVA是布尔诺的一个跨媒体艺术实验室。SVITAVA是声音、视觉、互动、技术、艺术、虚拟、学院的缩写。他们的目标是探索“后数字时代的跨学科合作方式、团队实施和非分级教育形式”。SONDA音乐节旨在“探索实验电声音乐、现场电子、视听表演和声音艺术的广阔领域”，这是当地和国际从业者的既定节目，以及提供“一个展示新兴一代音乐家艺术思想的空间，

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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SONDA Festival 2022

The SONDA Festival of Electroacoustic Music and Audiovisual Performances took place for the first time in Brno, Czech Republic, on 12 November 2022. SONDA is a production linked with SVITAVA—a transmedia art lab in Brno. SVITAVA is an acronym for sound, visual, interactive, technology, art, virtual, academy. Their aim is to explore “interdisciplinary ways of cooperation, team implementation, and nonhierarchical forms of education in the post-digital age.” The SONDA festival intends “to explore the vast territory of experimental electroacoustic music, live electronics, audiovisual performances, and sound art,” programming established local and international practitioners, as well as providing “a space for presenting artistic ideas of the emerging generation of musicians,

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.