脆弱的马赛克:莫拉莱斯的弱建筑、塔可夫斯基的弱人与瓦蒂莫的弱思想之间的跨学科联系

IF 0.2 0 ARCHITECTURE
V. Bogdanova
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引用次数: 0

摘要

脆弱性使我们能够深入发展和理解自我与外部环境之间的联系。它缓和了已知和未知之间的摩擦。本文阐述了脆弱的三种表现形式:塔可夫斯基的《软弱的人》将温柔表现为对世界的无声接受;瓦蒂莫脆弱的思想要求他渴望通过牺牲和牺牲来寻找最遥远的他者;索拉-莫拉莱斯的弱建筑赞美了模糊的未定义地形,并将废墟重新发现为短暂的分层小径。对这三种表现形式的比较理解带来了对建筑史的另一种解读,即单一历史掩盖、处理和强化了许多现实的多样性。在这里,历史学家是一个考古学家,重新创造时空的马赛克:不断地在赤裸裸的证据和其有意义的当代翻译成历史叙述之间进行操作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Mosaic of Fragility: Interdisciplinary Ties between Morales’s Weak Architecture, Tarkovsky’s Weak Man and Vattimo’s Weak Thought
ABSTRACT Fragility allows a deep development and understanding of the tie between the self and the outer surrounding. It softens the friction on the threshold between the known and the unknown. The paper elaborates three manifestations of fragility: Tarkovsky’s weak man [sic] presents meekness as a silent receptivity of the world; Vattimo’s weak thought demands a desire to search for the farthest Other – through sacrifice and kenosis; Sola-Morales’ weak architecture celebrates the undefined terrain vague and the rediscovery of ruins as layered trails of transience. A comparative understanding of the three manifestations brings an alternative reading of architectural history as a multiplicity of many realities that a single history masks, addresses, and reinforces. Here, the historian is an archaeologist, re-creating a mosaic of space-time: continuously operating between the bare evidence and its meaningful contemporary translation into a historical narrative.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
26
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