腰部以上的美:抽搐拖拽、数字劳动和酷儿介导的生活

IF 2.4 2区 文学 Q1 COMMUNICATION
Christopher J. Persaud, M. Perks
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引用次数: 2

摘要

游戏直播学术探索了该媒体如何提供多样化的自我展示形式、日益商业化的推广途径以及参与式文化制作的生动例子。这篇文章聚焦于变装艺术家游戏直播主播(或变装主播)的Twitch.tv亚文化,他们从事数字劳动和表演,提供了一个独特的酷儿互联网微名人案例,并强调了社交媒体时代酷儿身份表现的紧张关系。随着越来越多的酷儿开始在实时表现的空间里发展品牌社交媒体自我,比如Twitch上越来越多的拖缆,我们认为他们的酷儿表现与潜在的货币化途径和追随者的期望息息相关。最后,我们提出了“酷儿媒介的生活”的概念来描述酷儿流媒体的劳动、美学和生活内容创作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beauty From the Waist Up: Twitch Drag, Digital Labor, and Queer Mediated Liveness
Game live streaming scholarship has explored how the medium offers diverse forms of self-presentation, increasingly commercialized avenues of promotion, and vivid examples of participatory cultural production. This article focuses on the vibrant Twitch.tv subculture of drag artist game live streamers (or drag streamers) who engage in digital labor and performance, offer a distinct case of queer internet microcelebrity, and highlight tensions concerning the representation of queer identities in the social media age. As more queer people begin developing branded social media selves in spaces of real-time performance, such as the increasing number of drag streamers on Twitch, we contend that their performance of queerness becomes tied up in both potential avenues for monetization and the expectations of their followers. We conclude by developing the concept of “queer mediated liveness” to describe the labor, esthetics, and live content creation of queer streamers.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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