噪音景观介于现代和新形式的旅游设计之间

G. Citarella
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引用次数: 0

摘要

当人们对景观进行全面的感知时,就会对其产生充分的认识。换句话说,当主体和客体之间在我们的观察、触摸、呼吸和倾听方面存在渗透时。与此同时,对声学感知提供的信息的关注减少,产生了一种看而不是听的倾向。该作品旨在通过坦穆里亚塔来展示坎帕尼亚的音景。它不仅是流行音乐表达的多种形式之一,而且舞蹈包含了集体参与的复杂体验的焦点,从而成为了一个重要的领域知识工具,能够促进其他形式的旅游和社区意识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Il paesaggio sonoro campano tra contemporaneità e nuove forme di progettualità turistica
Full awareness of landscape occurs when it is holistically perceived. In other words, when there is osmosis between subject and object in terms of our observing, touching, breathing and listening to the same. Contemporaneously, the diminished attention paid to information provided by acoustic perception has had the effect of generating a propensity for looking rather than listening. The contribution intends to illustrate the soundscape of Campania through the tammurriata. It is not just one of the many forms of popular music expression, but the dance contains the focal points of a complex experience of collective participation, resulting in a significant tool for territorial knowledge, capable of promoting alternative forms of tourism and sense of community.
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