一种新的音频混音范例:从专业从业者的角度进行评估

IF 0.9 0 HUMANITIES, MULTIDISCIPLINARY
S. Stickland, R. Athauda, N. Scott
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引用次数: 0

摘要

新冠肺炎疫情的商业影响挑战了创意产业将服务提供从人际运营转变为在线运营。现有的在线音乐和音频制作协作平台以及云存储无法在专业的后期音频混合环境中复制音频工程师和客户之间的工作室内互动。我们开发了DAW协作框架,将音频从业者过渡到实时、互联网链接的混合环境。本文记录了我们在参与专业混音场景后,从现实世界从业者的角度对框架性能的评估。我们的评估证明了一种新的音频混合模式的便利性,即远程参与者在协作、专业、基于DAW的混合环境中同步工作,类似于传统的录音室环境。每个参与者都监控高分辨率音频文件,同时访问共享DAW项目的完全同步混音控制。已确定的好处包括节省时间、提高生产力以及引人入胜的协作音频混合。这种模式使远程参与者能够为混音项目做出贡献,为音频工程师带来新的全球影响力和商业机会。我们发现了广泛采用这一新范式的障碍,从而提出了未来的研究方向。最终,在一个受疫情影响的混乱和旅行限制的时代,我们的框架提供了一个可行的替代方案,可以代替现场、工作室的混合。©2022 Informa UK Limited,交易名称为Taylor&Francis Group。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A new audio mixing paradigm: evaluation from professional practitioners’ perspectives
Commercial implications of the COVID-19 pandemic have challenged the creative industries to transform service delivery from inter-personal to online operations. Existing online music and audio production collaboration platforms and cloud storage cannot replicate intrinsic in-studio interactions between an audio engineer and clients in a professional post-production audio mixing environment. We developed the DAW Collaboration Framework that transitions audio practitioners to a real-time, internet-linked mixing environment. This paper documents our evaluation of the framework’s performance through real-world practitioners’ perspectives, having participated in professional audio mixing scenarios. Our evaluation attests to the facilitation of a new audio mixing paradigm, where remote participants work synchronously in a collaborative, professional, DAW-based mixing environment, similar to traditional in-studio settings. Every participant monitors high-resolution audio files while accessing complete synchronised mixing control of the shared DAW project. Identified benefits include time savings, increased productivity, and engaging, collaborative audio mixing. This paradigm empowers remote participants to contribute to audio mixing projects, promoting new global reach and business opportunities for audio engineers. We identify impediments to widespread adoption of this new paradigm, thereby posing future research directions. Ultimately, in a pandemic-impacted era of disruptions and travel restrictions, our framework presents a viable alternative to in-person, studio-based mixing. © 2022 Informa UK Limited, trading as Taylor & Francis Group.
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来源期刊
Creative Industries Journal
Creative Industries Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.40
自引率
27.30%
发文量
30
期刊介绍: The scope of the Creative Industries Journal is global, primarily aimed at those studying and practicing activities which have their origin in individual creativity, skill and talent, and which have a potential for wealth creation. These activities primarily take place in advertising, architecture, the art and antiques market, crafts, design, fashion, film, interactive leisure software, music, the performing arts, publishing, television and radio.
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