杰夫·范德梅尔《死去的宇航员》中的怪异与元

IF 0.3 4区 文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE
Marco Malvezzi Caracciolo, G. Ulstein
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引用次数: 0

摘要

摘要:怪诞小说起源于20世纪初的洛夫克拉夫特和布莱克伍德等作家的作品,正经历着当代文学的复兴。一些学者认为,这种文学模式非常适合表达当前生态危机带来的焦虑。在这篇文章中,我们研究了杰夫·范德梅尔的《死去的宇航员》(2019),这是最近一系列作品的一部分,这些作品标志着与怪异小说通常涉及的沉浸式策略的急剧偏离。我们认为,在气候危机时期,怪异和“元”之间的这种相遇特别有效地揭示了人类社会和非人类世界之间的奇怪纠缠,为怪异的未来迭代提供了强有力的模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Weird and the Meta in Jeff VanderMeer's Dead Astronauts
ABSTRACT:Originating in the works of early twentieth-century authors such as H. P. Lovecraft and Algernon Blackwood, weird fiction is experiencing a renaissance in contemporary literature. Several scholars have presented this literary mode as uniquely suited to speak to the anxieties generated by the current ecological crisis. In this essay, we examine Jeff VanderMeer's Dead Astronauts (2019) as part of a wave of recent works that mark a sharp departure from the immersive strategies with which weird fiction is typically associated. We argue that this encounter between the weird and the "meta" is particularly effective in bringing out the strange entanglement of human societies and the nonhuman world in times of climate crisis, serving as a powerful model for future iterations of the weird.
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来源期刊
Configurations
Configurations Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).
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