{"title":"治愈过去：伦敦的鲜血与金钱","authors":"A. Bale, J. Rosenthal","doi":"10.1080/1462169X.2022.2019983","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay explores two exhibitions with which the authors were involved, in order to think through issues around curating and displaying medieval Anglo-Jewry history. The exhibitions were Blood: Uniting & Dividing (5 November 2015–28 February 2016) and Jews, Money, Myth (19 March-17 October 2019) both of which were developed at the Jewish Museum London in collaboration with the Birkbeck Institute for the Study of Anti-semitism at Birkbeck, University of London.","PeriodicalId":35214,"journal":{"name":"Jewish Culture and History","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Curating the past: blood and money in London\",\"authors\":\"A. Bale, J. Rosenthal\",\"doi\":\"10.1080/1462169X.2022.2019983\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay explores two exhibitions with which the authors were involved, in order to think through issues around curating and displaying medieval Anglo-Jewry history. The exhibitions were Blood: Uniting & Dividing (5 November 2015–28 February 2016) and Jews, Money, Myth (19 March-17 October 2019) both of which were developed at the Jewish Museum London in collaboration with the Birkbeck Institute for the Study of Anti-semitism at Birkbeck, University of London.\",\"PeriodicalId\":35214,\"journal\":{\"name\":\"Jewish Culture and History\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Culture and History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1462169X.2022.2019983\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Culture and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1462169X.2022.2019983","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
ABSTRACT This essay explores two exhibitions with which the authors were involved, in order to think through issues around curating and displaying medieval Anglo-Jewry history. The exhibitions were Blood: Uniting & Dividing (5 November 2015–28 February 2016) and Jews, Money, Myth (19 March-17 October 2019) both of which were developed at the Jewish Museum London in collaboration with the Birkbeck Institute for the Study of Anti-semitism at Birkbeck, University of London.
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