{"title":"当代挪威漫画中的年轻女性与厌恶——兼读安·巴斯塔德·索尔万的《爱与爱》","authors":"Adriana Margareta Dancus","doi":"10.5406/21638195.94.4.02","DOIUrl":null,"url":null,"abstract":"The figure of the young woman who leaks bodily wastes, struggles mentally, and behaves in ways that disgust and provoke is recurrent in Norwegian comics drawn and written by women in the late 2010s (e.g., Neverdahl 2017; Øverbye 2018; Solvang 2018; Tegnehanne 2019). There are several reasons why women cartoonists’ preoccupation with young female characters and disgust is worthy of critical attention. On the one hand, Norwegian comics have had a spectacular development in the last decade, gaining critical acclaim and popularity (Birkeland, Risa, and Vold 2018), becoming more inclusive and diverse once several women cartoonists made their debut in a medium traditionally dominated by male creators. On the other hand, while Norway has an international reputation as one of the most gender equal countries in the world (see, for example, the United Nation’s “Gender Inequality Index”2), national studies paint a more somber picture when it comes to the situation of young women in Norway. For example, recent","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Young Women and Disgust in Contemporary Norwegian Comics: A Close Reading of Ane Barstad Solvang's Frykt & medlidenhet\",\"authors\":\"Adriana Margareta Dancus\",\"doi\":\"10.5406/21638195.94.4.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The figure of the young woman who leaks bodily wastes, struggles mentally, and behaves in ways that disgust and provoke is recurrent in Norwegian comics drawn and written by women in the late 2010s (e.g., Neverdahl 2017; Øverbye 2018; Solvang 2018; Tegnehanne 2019). There are several reasons why women cartoonists’ preoccupation with young female characters and disgust is worthy of critical attention. On the one hand, Norwegian comics have had a spectacular development in the last decade, gaining critical acclaim and popularity (Birkeland, Risa, and Vold 2018), becoming more inclusive and diverse once several women cartoonists made their debut in a medium traditionally dominated by male creators. On the other hand, while Norway has an international reputation as one of the most gender equal countries in the world (see, for example, the United Nation’s “Gender Inequality Index”2), national studies paint a more somber picture when it comes to the situation of young women in Norway. For example, recent\",\"PeriodicalId\":44446,\"journal\":{\"name\":\"SCANDINAVIAN STUDIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SCANDINAVIAN STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21638195.94.4.02\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SCANDINAVIAN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21638195.94.4.02","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Young Women and Disgust in Contemporary Norwegian Comics: A Close Reading of Ane Barstad Solvang's Frykt & medlidenhet
The figure of the young woman who leaks bodily wastes, struggles mentally, and behaves in ways that disgust and provoke is recurrent in Norwegian comics drawn and written by women in the late 2010s (e.g., Neverdahl 2017; Øverbye 2018; Solvang 2018; Tegnehanne 2019). There are several reasons why women cartoonists’ preoccupation with young female characters and disgust is worthy of critical attention. On the one hand, Norwegian comics have had a spectacular development in the last decade, gaining critical acclaim and popularity (Birkeland, Risa, and Vold 2018), becoming more inclusive and diverse once several women cartoonists made their debut in a medium traditionally dominated by male creators. On the other hand, while Norway has an international reputation as one of the most gender equal countries in the world (see, for example, the United Nation’s “Gender Inequality Index”2), national studies paint a more somber picture when it comes to the situation of young women in Norway. For example, recent
期刊介绍:
Thank you for visiting the internet homepages of the Department of Scandinavian Studies at the University of Washington. The Department of Scandinavian Studies was founded in 1909 by a special act of the Washington State Legislature. In the 99 years of its existence, the Department has grown from a one-person program to a comprehensive Scandinavian Studies department with a faculty fully engaged in leading-edge scholarship, award-winning teaching and dedicated university and community service.