这是“我们的音乐”?摇滚与西班牙的根和民族认同

IF 0.2 Q4 SOCIOLOGY
Anduli Pub Date : 2019-06-15 DOI:10.12795/ANDULI.2019.I18.04
Diego García-Peinazo
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引用次数: 1

摘要

这部作品深入探讨了转型期西班牙政治背景下的“有根的岩石”和“安达卢西亚岩石”的概念。在界定龚的唱片标签后,本研究分析了将“根”和“传统”合法化以对抗盎格鲁撒克逊的“他者”的宣传策略,并考察了与“我们的音乐”相关的文本间框架。考虑到书面、口头和声音来源,理论方法论技术试图解决音乐、政治和身份、录音歌曲分析和文本间的关系。在一个例子中,研究结果表明,这一时期左派的解放主义和反帝国主义政治话语对“有根岩石”的宣传产生了影响。在另一个例子中,两个标签之间关于国家问题的互动表明,“安达卢西亚岩石”能够表达对安达卢西娅和西班牙理念的想象——互补或对立。这篇文章指出了“国家摇滚”或“西班牙摇滚”等标签在70年代后半叶阻碍巩固的一些原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
¿ES “NUESTRA MÚSICA”? ROCK CON RAÍCES E IDENTIDADES NACIONALES EN ESPAÑA
This work delves into the concepts of “rock with roots” and “Andalusian rock” in the political context of Spain of the Transition. After delimiting the Gong-Movieplay record label, the study analyzes promotional strategies of legitimizing “roots” and “tradition” against the Anglo-Saxon “other”, and examines the inter-textual framework associated with “our music”. Taking into account written, oral and sonorous sources, the theoretical-methodological techniquesemployed address the relationships amongmusic, politics and identity, analysis of recorded song, and inter-textuality. In one instance, results show the influence of emancipatory and anti-imperialistic political discourses of the left of this period on the promotion of“rock with roots”. In another instance, interactions between both labels in relation to the national question show that “Andalusian rock” is capable ofarticulating imagines- complementary or opposed - on the idea of Andalusia and Spain. The article identifies some of the reasons why labels such as “national rock” or “Spanish rock” found obstacles to consolidationduring the second half of the seventies.
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来源期刊
Anduli
Anduli SOCIOLOGY-
自引率
20.00%
发文量
22
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