城市艺术干预:城市艺术政治行动的类型学

Q1 Social Sciences
Marie Hoop , Volker Kirchberg , Merav Kaddar , Nir Barak , Avner de Shalit
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引用次数: 3

摘要

批判性艺术家如何介入城市空间,为什么?这个问题是在四个城市的城市间实地调查研究中探讨的:德国的汉诺威和汉堡,以色列的特拉维夫-雅法和耶路撒冷。基于这些城市中聚集的大量艺术干预,文章提出了一种基于技术、目标、社交程度以及与城市空间关系的类型学。一方面,城市艺术干预从社会条件的补偿性改善到对现有城市权力结构和过程的高度政治和抗议驱动的刺激,各不相同。另一方面,不同的城市艺术干预模式背后的话语揭示了相似之处,将“公共空间中的艺术”这一反复出现的概念带到了最前沿,并参考了指导城市艺术家实践的类似推理路线。本文通过提供艺术介入城市空间的类型学来扩展现有文献,突出城市艺术家的关键机构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Urban artistic interventions: A typology of artistic political actions in the city

How do critical artists intervene in urban space, and why? This question is explored in an interurban fieldwork study examining artistic interventions in four cities: Hanover and Hamburg in Germany, and Tel Aviv-Jaffa and Jerusalem in Israel. Grounded on a plethora of artistic interventions gathered in these cities, the article proposes a typology based on techniques, goals, sociability degrees and relations to urban space. On the one hand, urban artistic interventions vary from a compensatory improvement of social conditions to a highly political and protest-driven irritation of existing urban power structures and processes. On the other, the discourses behind the different modes of urban artistic intervention reveal similarities, bringing recurring concepts of “art in public space” to the forefront and referring to similar lines of reasoning which guide urban artists in their practice. This article extends the existing literature by offering a typology of artistic interventions in urban space, highlighting the critical agency of urban artists.

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来源期刊
City, Culture and Society
City, Culture and Society Economics, Econometrics and Finance-Economics, Econometrics and Finance (miscellaneous)
CiteScore
4.00
自引率
0.00%
发文量
26
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