融合微观世界的新媒体时代的付费艺术

IF 1.3 4区 艺术学 0 ART
Ho-Jun Ji, Jin-wan Park
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引用次数: 0

摘要

摘要本文用电子显微镜观察了两个自然形态的物体。第一件物品是一张旧纸;它美丽的质地在表面上几乎看不见,它就像我们通常看到的大自然。第二个物体是纳米花。虽然它是一种天然形式,但它也是一种人眼看不见的人造化学物质。本文旨在通过共同表达日常生活中所看到的两个微观世界和自然元素,为观察的行为提供一个新的视角,这两个世界和元素与环境相似,但彼此完全不同。超现实主义画家勒内·马格里特(RenéMagritte)的付款技巧通过将特定物体从常识的背景中移除,并将其置于复杂的情境中,创造了一个陌生的场景,给观察者带来了新的震撼。我打算呈现一种独特的艺术表达技巧,这种技巧已经被移植和进化到微观世界中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The dépaysement art of the new media era incorporating the microscopic world
ABSTRACT This article observes two objects of natural form through an electron microscope. The first object is an old paper; its beautiful texture is hardly visible on its surface and it resembles the nature that we commonly see. The second object is nanoflowers. Although it is a natural form, it is also an artificial chemical that is invisible to the human eye. This paper aims to present a new perspective on the action of seeing by collectively expressing two microworlds and elements of nature that are seen in everyday life, which are similar to the environment but utterly different from each other. Surrealist painter René Magritte's technique of dépaysement creates a stranger scene by removing a specific object from the context of common sense and placing it in a complicated situation, giving the observer a new shock. I intend to present a unique technique of artistic expression that has been grafted and evolved into the microscopic world.
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来源期刊
CiteScore
3.10
自引率
9.10%
发文量
19
期刊介绍: Digital Creativity is a major peer-reviewed journal at the intersection of the creative arts, design and digital technologies. It publishes articles of interest to those involved in the practical task and theoretical aspects of making or using digital media in creative disciplines. These include but are not limited to visual arts, interaction design, physical computing and making, computational materials, textile and fashion design, filmmaking and animation, game design, music, dance, drama, architecture and urban design. The following list, while not exhaustive, indicates a range of topics that fall within the scope of the journal: * New insights through the use of digital media in the creative process * The relationships between practice, research and technology * The design and making of digital artefacts and environments * Interaction relationships between digital media and audience / public * Everyday experience with digital design and artwork * Aspects of digital media and storytelling * Theoretical concepts
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