{"title":"第二次世界大战期间布达佩斯的音乐生活:dameses Bartha在peter Lloyd的音乐评论(1939-1944)","authors":"Anna Scholz","doi":"10.1556/6.2022.00018","DOIUrl":null,"url":null,"abstract":"Dénes Bartha (1908–1993), the internationally renowned Hungarian music historian, worked as a music critic for Pester Lloyd, the German-language Budapest daily newspaper between 1939 and 1944. Within the five concert seasons, I found a total of four hundred and sixty-five writings by Bartha in the columns of the newspaper, mostly reviews of concerts and opera performances but also some interviews and theoretical articles. The importance of the articles is enhanced by the fact that they commemorate the performances of such distinguished Hungarian musicians as Béla Bartók, Ernst von Dohnányi, Emil Telmányi, Ede Zathureczky, the Waldbauer–Kerpely String Quartet and the Végh Quartet among others, and they also document guest performances in Budapest by such renowned foreign performers as Herbert von Karajan, Wilhelm Furtwängler, Willem Mengelberg, Hans Knappertsbusch, Clemens Krauss, Edwin Fischer and Walter Gieseking. In 2022, one hundred and twenty articles were published in my Hungarian translation from this extremely valuable and diverse material. In this study, I present the main features of Dénes Bartha's perspective as a music critic, taking examples from the articles included in the volume.","PeriodicalId":34943,"journal":{"name":"Studia Musicologica","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Musical Life in Budapest during World War II: Music Reviews by Dénes Bartha in Pester Lloyd (1939–1944)\",\"authors\":\"Anna Scholz\",\"doi\":\"10.1556/6.2022.00018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Dénes Bartha (1908–1993), the internationally renowned Hungarian music historian, worked as a music critic for Pester Lloyd, the German-language Budapest daily newspaper between 1939 and 1944. Within the five concert seasons, I found a total of four hundred and sixty-five writings by Bartha in the columns of the newspaper, mostly reviews of concerts and opera performances but also some interviews and theoretical articles. The importance of the articles is enhanced by the fact that they commemorate the performances of such distinguished Hungarian musicians as Béla Bartók, Ernst von Dohnányi, Emil Telmányi, Ede Zathureczky, the Waldbauer–Kerpely String Quartet and the Végh Quartet among others, and they also document guest performances in Budapest by such renowned foreign performers as Herbert von Karajan, Wilhelm Furtwängler, Willem Mengelberg, Hans Knappertsbusch, Clemens Krauss, Edwin Fischer and Walter Gieseking. In 2022, one hundred and twenty articles were published in my Hungarian translation from this extremely valuable and diverse material. In this study, I present the main features of Dénes Bartha's perspective as a music critic, taking examples from the articles included in the volume.\",\"PeriodicalId\":34943,\"journal\":{\"name\":\"Studia Musicologica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-06-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Musicologica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1556/6.2022.00018\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Musicologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1556/6.2022.00018","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
摘要
Dénes Bartha(1908–1993),国际著名的匈牙利音乐历史学家,1939年至1944年间担任布达佩斯德语日报Pester Lloyd的音乐评论家。在五个音乐会季中,我在报纸的专栏中总共发现了巴塔的四百六十五篇文章,其中大部分是对音乐会和歌剧表演的评论,也有一些采访和理论文章。这些文章的重要性因其纪念了著名的匈牙利音乐家Béla Bartók、Ernst von Dohnányi、Emil Telmányy、Ede Zathureczky、Waldbauer–Kerpely弦乐四重奏和Végh四重奏等的表演而得到加强,它们还记录了赫伯特·冯·卡拉扬等著名外国演员在布达佩斯的客串演出,威廉·弗特文格勒、威廉·蒙格尔伯格、汉斯·克纳珀茨布施、克莱门斯·克劳斯、埃德温·费舍尔和沃尔特·吉塞金。2022年,我用匈牙利语翻译了120篇文章,这些文章都是从这些极其宝贵和多样化的材料中发表的。在这项研究中,我以该卷中的文章为例,介绍了Dénes Bartha作为音乐评论家视角的主要特征。
Musical Life in Budapest during World War II: Music Reviews by Dénes Bartha in Pester Lloyd (1939–1944)
Dénes Bartha (1908–1993), the internationally renowned Hungarian music historian, worked as a music critic for Pester Lloyd, the German-language Budapest daily newspaper between 1939 and 1944. Within the five concert seasons, I found a total of four hundred and sixty-five writings by Bartha in the columns of the newspaper, mostly reviews of concerts and opera performances but also some interviews and theoretical articles. The importance of the articles is enhanced by the fact that they commemorate the performances of such distinguished Hungarian musicians as Béla Bartók, Ernst von Dohnányi, Emil Telmányi, Ede Zathureczky, the Waldbauer–Kerpely String Quartet and the Végh Quartet among others, and they also document guest performances in Budapest by such renowned foreign performers as Herbert von Karajan, Wilhelm Furtwängler, Willem Mengelberg, Hans Knappertsbusch, Clemens Krauss, Edwin Fischer and Walter Gieseking. In 2022, one hundred and twenty articles were published in my Hungarian translation from this extremely valuable and diverse material. In this study, I present the main features of Dénes Bartha's perspective as a music critic, taking examples from the articles included in the volume.