露西·哈钦森和玛格丽特·卡文迪什的请愿生活

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES
Laura De Furio
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引用次数: 1

摘要

玛格丽特·卡文迪什和露西·哈钦森在为她们的丈夫撰写传记《威廉·卡文迪什的一生》和《哈钦森上校的一生回忆录》时,采用了类似的通用策略,借鉴了本世纪中叶的请愿书。虽然两位作者都在前言中将自己的传记描述为对历史事实的冷静复述,而不是为纯粹的纪实体系辩护,但这样的声明间接地促使读者寻找与作者传记议程的偏差。本文将论证卡文迪什和哈钦森利用他们丈夫的传记来掩饰和促进政治批评,最终揭示了查理二世在复辟初期的专制冲动。我认为,这样的批评是建立在作者的互补自我表现的基础上的。卡文迪什和哈钦森都曾向不友好的官僚机构请愿,由于他们的共同经历,卡文迪什和哈钦森把自己塑造成君主立宪制的倡导者,尤其是维护英国公民的权利和特权。最后,通过研究传记和自传、请愿书和法律证词的交集,这篇文章挑战了将高度性别化的批评框架分配给《回忆录》和《威廉的一生》的学术倾向,这两本书更有可能被描述为妻子的浪漫故事,而不是政治论文。(L.D.F.)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives
Margaret Cavendish and Lucy Hutchinson used similar generic strategies, borrowed from the mid-century petition, when composing biographies of their husbands, The Life of William Cavendish and Memoirs of the Life of Colonel Hutchinson. While both authors use their prefaces to frame their biographies as dispassionate recitations of historical fact, rather than defending a purely documentary regime, such pronouncements obliquely prompt readers to search for deviations from the authors’ biographic agendas. This essay will argue that Cavendish and Hutchinson used the biographies of their husbands to disguise and promote political critiques that ultimately reveal the autocratic impulses of Charles II in the early years of the Restoration. Such critiques, I propose, are grounded in the complementary self-presentations of the authors. Informed by their common experience as petitioners of unfriendly bureaucracies, Cavendish and Hutchinson style themselves as advocates for constitutional monarchy and particularly the preservation of rights and privileges due to English citizens. Finally, by examining the intersection of biography and autobiography, petition and legal testimony, this essay challenges the scholarly tendency to assign highly gendered critical frameworks to Memoirs and Life of William, which are more likely to be described as wifely romances than as political treatises. [L.D.F.]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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