柬埔寨拉康巴萨克歌剧的延续与变化

IF 0.2 2区 艺术学 0 ASIAN STUDIES
ASIAN MUSIC Pub Date : 2020-06-23 DOI:10.1353/amu.2020.0020
Francesca Billeri
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引用次数: 1

摘要

摘要:本文以伊康巴萨克戏剧为例,探讨高棉传统戏剧类型如何通过使用新乐器、引入新角色和故事情节来适应新的观众和表演环境。文章的第一部分提供了关于伊卡隆·巴萨克的历史和表演背景的一般信息,并考察了编剧在结合和改编场景、歌曲、人物和故事以适应表演背景和观众方面的创造力。第二部分考察了大众传媒和文化旅游的传播如何推动了以流行为中心的伊尔康巴萨克风格的转型过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Continuity and Changes in Cambodian Lkhaon Bassac (Lakhon Baasaq) Opera
Abstract:Through the case of lkhaon bassac theater, this article investigates how Khmer traditional theater genres have adapted in response to new audiences and performance contexts through the use of new musical instruments and the introduction of new characters and storylines. The first part of the article provides general information on the historical and performance context of lkhaon bassac and examines the scriptwriter's creativity in combining and adapting scenes, songs, characters, and stories to the performance contexts and audiences. The second part examines how the spread of mass media and cultural tourism is fueling popularity-focused processes of transformation of the lkhaon bassac genre.
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来源期刊
ASIAN MUSIC
ASIAN MUSIC Multiple-
自引率
33.30%
发文量
23
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