聆听教师的声音:艺术教育中的音乐表演焦虑的建构

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
N. Moura, Sofia Serra
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引用次数: 2

摘要

音乐表演焦虑是音乐家从早期学习阶段到专业水平的公认状况。不受控制的焦虑水平会转化为生理和心理症状的发展,损害表演技能,并可能最终导致创伤后应激障碍和退出与音乐相关的活动。本文关注教师的声音,以证明在音乐学校的课程中纳入焦虑管理培训的必要性,作为促进福祉的手段,应对压力诱导的情况,并通过积极的教学法促进成长中的音乐家的表演体验。本研究采用半结构化访谈的方式,对葡萄牙某专业艺术教育机构的四名乐器教师进行访谈,收集他们以往的经验、观念和MPA管理教学方法的资料。受访者讨论了在教学实践中整合应对策略的重要性,其障碍和好处,以及在学校构思可行干预项目的建议,并在此根据现有文献进行批判性地呈现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Listening To Teachers’ Voices: Constructs On Music Performance Anxiety In Artistic Education
Music performance anxiety is an acknowledged condition amongst musicians from early learning stages to professional levels. Anxiety experienced in uncontrolled levels translates into the development of physiological and psychological symptoms that impair performance skills and may, ultimately, lead to post-traumatic stress disorders and drop-out of music-related activities. This paper focuses on teacher’s voices to justify the need for inclusion of anxiety management training in music schools’ curricula as means of promoting well-being, coping with stress-inducing situations, and boosting growing musicians’ performative experiences through positive pedagogies. Semi-structured interviews were conducted to four instrument teachers of a Portuguese institution of specialized artistic education to collect data about previous experiences, conceptions, and ways of teaching MPA managing. The importance of integrating coping strategies in pedagogical practices, its obstacles and benefits, alongside suggestions for conceiving viable intervention projects in schools were discussed by the interviewed and hereby critically presented with respect to existing literature.
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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