{"title":"“安迪·沃霍尔”俄罗斯千禧年展:纪念过去,庆祝现在,展望未来","authors":"E. Sidorova","doi":"10.4000/ESPACEPOLITIQUE.8361","DOIUrl":null,"url":null,"abstract":"The paper examines the “Andy Warhol” Millennium Show exhibited at the State Hermitage Museum in Saint Petersburg in 2000 and at the Pushkin State Museum of Fine Arts in Moscow in 2001. It first discusses why the U.S. government organized this show as part of America’s millennium celebrations abroad and why it chose Andy Warhol as America’s millennium artist. It then proceeds with explaining the political and art historical contents of the show, as well as its public reception by both the Russian media and the Russian artworld. The paper concludes that the “Andy Warhol” Millennium Show, despite its direct interrelatedness with the symbolic diplomatic ceremonial of millennium celebrations, was a groundbreaking cultural event, as it managed to familiarize the Russian public with key works of American Pop Art and with this build a “cultural” bridge between the U.S. and Russia in the post-Cold-War era.","PeriodicalId":41025,"journal":{"name":"Espace Politique","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The “Andy Warhol” Millennium Show for Russia: Commemorating the Past, Celebrating the Present, and Looking Towards the Future\",\"authors\":\"E. Sidorova\",\"doi\":\"10.4000/ESPACEPOLITIQUE.8361\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper examines the “Andy Warhol” Millennium Show exhibited at the State Hermitage Museum in Saint Petersburg in 2000 and at the Pushkin State Museum of Fine Arts in Moscow in 2001. It first discusses why the U.S. government organized this show as part of America’s millennium celebrations abroad and why it chose Andy Warhol as America’s millennium artist. It then proceeds with explaining the political and art historical contents of the show, as well as its public reception by both the Russian media and the Russian artworld. The paper concludes that the “Andy Warhol” Millennium Show, despite its direct interrelatedness with the symbolic diplomatic ceremonial of millennium celebrations, was a groundbreaking cultural event, as it managed to familiarize the Russian public with key works of American Pop Art and with this build a “cultural” bridge between the U.S. and Russia in the post-Cold-War era.\",\"PeriodicalId\":41025,\"journal\":{\"name\":\"Espace Politique\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-02-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Espace Politique\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/ESPACEPOLITIQUE.8361\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"GEOGRAPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Espace Politique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/ESPACEPOLITIQUE.8361","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"GEOGRAPHY","Score":null,"Total":0}
The “Andy Warhol” Millennium Show for Russia: Commemorating the Past, Celebrating the Present, and Looking Towards the Future
The paper examines the “Andy Warhol” Millennium Show exhibited at the State Hermitage Museum in Saint Petersburg in 2000 and at the Pushkin State Museum of Fine Arts in Moscow in 2001. It first discusses why the U.S. government organized this show as part of America’s millennium celebrations abroad and why it chose Andy Warhol as America’s millennium artist. It then proceeds with explaining the political and art historical contents of the show, as well as its public reception by both the Russian media and the Russian artworld. The paper concludes that the “Andy Warhol” Millennium Show, despite its direct interrelatedness with the symbolic diplomatic ceremonial of millennium celebrations, was a groundbreaking cultural event, as it managed to familiarize the Russian public with key works of American Pop Art and with this build a “cultural” bridge between the U.S. and Russia in the post-Cold-War era.