列夫·纽斯伯格致哈拉尔德·塞曼，1970 - 1976:关于趋同的抱负和共同的实践的注释

IF 0.1 3区艺术学 0 ART

Getty Research Journal Pub Date : 2020-01-01 DOI:10.1086/708323

M. Bertelé

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引用次数: 0

摘要

本文分析了瑞士策展人Harald Szeemann(1933-2005)与俄罗斯艺术家Lev Nusberg(生于1937年)在盖蒂研究所的通信，后者是动态运动团体(Dvizhenie)的创始人和主要推动者。由于纽斯伯格在1976年移居西方之前一直住在莫斯科，两人当时没有机会亲自见面。尽管距离遥远，地缘政治和语言障碍，纽斯伯格和塞曼仍然能够建立一个远程对话，分享共同的兴趣，比如俄罗斯和早期苏联先锋派的遗产，以及对艺术实践的综合方法的共同雄心，包括他们过去和正在进行的项目的文件和收集，这些项目现在构成了他们档案的核心。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Lev Nusberg to Harald Szeemann, 1970–76: Notes on Convergent Ambitions and Shared Practices

The article analyzes the correspondence held in the Getty Research Institute between Swiss curator Harald Szeemann (1933–2005) and Russian artist Lev Nusberg (b. 1937), the founder and main promoter of the kinetic Movement group (Dvizhenie). Because Nusberg resided in Moscow until his emigration to the West in 1976, the two at the time had no opportunity to meet personally. Despite the distance and the geopolitical and language barriers, Nusberg and Szeemann were able to establish a remote dialogue sharing common interests, such as the legacy of the Russian and early Soviet avant-garde, as well as common ambitions for a comprehensive approach to the artistic practice, including the documentation and collection of their past and ongoing projects, which now constitute the core of their archives.

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来源期刊

Getty Research Journal ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.