Paul Cobley简介:图解指南

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
E. Barreto, Donald Favareau
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引用次数: 0

摘要

在符号学学科中,书面文本仍然是沟通和分析的主要模式,尽管所有优秀的符号学家都知道,符号以各种形式出现——这就是为什么我们认为艺术家和音乐家,不亚于小说家和诗人,是卓越的应用符号学家。1997年,Paul Cobley和Litza Jansz将文字和绘画的符号学工具结合在一起,制作了毫无疑问是传播符号学理论最成功和最有影响力的文本之一:《初学者符号学》(后来出版为《符号学入门》)的图解指南。在这个当之无愧的纪念保罗在符号学方面的一生的节日之际,作者们认为,通过再次结合文字和绘画的符号学工具来说明这位符号学大师的思想和历史,向保罗和他激励了世界各地无数读者更好地理解符号学基础的图形指南致敬是最合适的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Introducing Paul Cobley: a graphic guide
Abstract Within the discipline of semiotics, written text remains the primary mode of communication and analysis, despite the fact that, as all good semioticians know, signs occur in all modalities – which is why we think of artists and musicians, no less than novelists and poets, as applied semioticians par excellence. In 1997, Paul Cobley and Litza Jansz combined the semiotic tools of words and drawings to produce what is undoubtedly one of the most successful and influential texts for the dissemination of semiotic theory: the illustrated graphic guide called Semiotics for beginners (later published as Introducing semiotics). On the occasion of this well-deserved festschrift honoring Paul’s life of work in semiotics, the authors felt it most appropriate to pay homage to Paul – and to the graphic guide with which he has inspired countless readers across the world to better understand the fundamentals of semiotics – by once again combining the semiotic tools of words and drawings to illustrate the ideas and history of this master semiotician.
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来源期刊
Chinese Semiotic Studies
Chinese Semiotic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
36
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