苏联戏剧的第一天:斯坦尼斯拉夫·维纳弗的戏剧见证

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Quaestio Rossica Pub Date : 2023-04-03 DOI:10.15826/qr.2023.1.778

K. Ičin

{"title":"苏联戏剧的第一天:斯坦尼斯拉夫·维纳弗的戏剧见证","authors":"K. Ičin","doi":"10.15826/qr.2023.1.778","DOIUrl":null,"url":null,"abstract":"Stanislav Vinaver witnessed October Revolution. In April 1917, he was sent to Russia on a diplomatic mission and stayed there until the autumn of 1919. After returning to Serbia, he published articles about Russia (ideology, revolution, war, life, theatre, art, music) in Politika and Republika, Belgrade daily newspapers, and in Kritika, a Zagreb magazine, which, in their form, resembled dramatic sketches, stories, reports, and travel essays. This paper discusses Vinaver’s articles on theatre issues in Bolshevik Russia, primarily the Kamerny Theatre and the Moscow Drama Theatre. Vinaver’s ideas about the repertoire and aesthetic searches of the two Moscow theatres are interpreted in the context of the time of their emergence, together with the context of artistic assessment, which is by no means inferior to today’s interpretations of the role of the Kamerny and Moscow Drama Theatres in the development of the Soviet experimental theatre.","PeriodicalId":43664,"journal":{"name":"Quaestio Rossica","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The First Days of the Soviet Theatre: Stanislav Vinaver’s Dramatic Testimonies\",\"authors\":\"K. Ičin\",\"doi\":\"10.15826/qr.2023.1.778\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Stanislav Vinaver witnessed October Revolution. In April 1917, he was sent to Russia on a diplomatic mission and stayed there until the autumn of 1919. After returning to Serbia, he published articles about Russia (ideology, revolution, war, life, theatre, art, music) in Politika and Republika, Belgrade daily newspapers, and in Kritika, a Zagreb magazine, which, in their form, resembled dramatic sketches, stories, reports, and travel essays. This paper discusses Vinaver’s articles on theatre issues in Bolshevik Russia, primarily the Kamerny Theatre and the Moscow Drama Theatre. Vinaver’s ideas about the repertoire and aesthetic searches of the two Moscow theatres are interpreted in the context of the time of their emergence, together with the context of artistic assessment, which is by no means inferior to today’s interpretations of the role of the Kamerny and Moscow Drama Theatres in the development of the Soviet experimental theatre.\",\"PeriodicalId\":43664,\"journal\":{\"name\":\"Quaestio Rossica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Quaestio Rossica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15826/qr.2023.1.778\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quaestio Rossica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15826/qr.2023.1.778","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 0

摘要

斯坦尼斯拉夫·维纳弗见证了十月革命。1917年4月，他被派往俄罗斯执行外交任务，并在那里一直呆到1919年秋天。回到塞尔维亚后，他在Politika和塞族、贝尔格莱德日报以及萨格勒布杂志《Kritika》上发表了关于俄罗斯的文章（意识形态、革命、战争、生活、戏剧、艺术、音乐），这些文章的形式类似于戏剧小品、故事、报道和游记。本文讨论了维纳弗关于布尔什维克俄国戏剧问题的文章，主要是关于卡梅尔尼剧院和莫斯科戏剧剧院的文章。Vinaver关于这两个莫斯科剧院的剧目和美学探索的想法是在它们出现的时代背景下以及艺术评估的背景下进行解释的，这丝毫不逊于今天对Kamerny和莫斯科戏剧剧院在苏联实验剧院发展中的作用的解释。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The First Days of the Soviet Theatre: Stanislav Vinaver’s Dramatic Testimonies

Stanislav Vinaver witnessed October Revolution. In April 1917, he was sent to Russia on a diplomatic mission and stayed there until the autumn of 1919. After returning to Serbia, he published articles about Russia (ideology, revolution, war, life, theatre, art, music) in Politika and Republika, Belgrade daily newspapers, and in Kritika, a Zagreb magazine, which, in their form, resembled dramatic sketches, stories, reports, and travel essays. This paper discusses Vinaver’s articles on theatre issues in Bolshevik Russia, primarily the Kamerny Theatre and the Moscow Drama Theatre. Vinaver’s ideas about the repertoire and aesthetic searches of the two Moscow theatres are interpreted in the context of the time of their emergence, together with the context of artistic assessment, which is by no means inferior to today’s interpretations of the role of the Kamerny and Moscow Drama Theatres in the development of the Soviet experimental theatre.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Quaestio Rossica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Quaestio Rossica is a peer-reviewed academic journal focusing on the study of Russia’s history, philology, and culture. The Journal aims to introduce new research approaches in the sphere of the Humanities and previously unknown sources, actualising traditional methods and creating new research concepts in the sphere of Russian studies. Except for academic articles, the Journal publishes reviews, historical surveys, discussions, and accounts of the past of the Humanities as a field.