{"title":"论安德烈·别列的诗学哲学与小说艺术","authors":"Haiying Guan, Yuhua Li","doi":"10.1515/css-2023-2002","DOIUrl":null,"url":null,"abstract":"Abstract As a unique literary theory, Andrei Bely’s symbolism is a religious world view, and his “symbols” are deeply rooted in the symbolist’s cognition of world structure. This distinct world view exerts a special effect on Bely’s exploration of the poetic mechanism of symbolism. In the practice of completing the creation of symbolic image, the construction of symbolic text, and the achievement of artistic function, word, rhythm, and color are among the most important and necessary conditions to help Bely produce a polyphonic aesthetic effect.","PeriodicalId":52036,"journal":{"name":"Chinese Semiotic Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Andrei Bely’s poetic philosophy and art of fiction\",\"authors\":\"Haiying Guan, Yuhua Li\",\"doi\":\"10.1515/css-2023-2002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract As a unique literary theory, Andrei Bely’s symbolism is a religious world view, and his “symbols” are deeply rooted in the symbolist’s cognition of world structure. This distinct world view exerts a special effect on Bely’s exploration of the poetic mechanism of symbolism. In the practice of completing the creation of symbolic image, the construction of symbolic text, and the achievement of artistic function, word, rhythm, and color are among the most important and necessary conditions to help Bely produce a polyphonic aesthetic effect.\",\"PeriodicalId\":52036,\"journal\":{\"name\":\"Chinese Semiotic Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Chinese Semiotic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/css-2023-2002\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Chinese Semiotic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/css-2023-2002","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
On Andrei Bely’s poetic philosophy and art of fiction
Abstract As a unique literary theory, Andrei Bely’s symbolism is a religious world view, and his “symbols” are deeply rooted in the symbolist’s cognition of world structure. This distinct world view exerts a special effect on Bely’s exploration of the poetic mechanism of symbolism. In the practice of completing the creation of symbolic image, the construction of symbolic text, and the achievement of artistic function, word, rhythm, and color are among the most important and necessary conditions to help Bely produce a polyphonic aesthetic effect.
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