Apiaí受欢迎的巴西陶瓷:通过技术方法保护文化遗产

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY

Conservar Patrimonio Pub Date : 2022-02-25 DOI:10.14568/cp2020071

Anna Carolina Marques Ayres Calaresi, Anna Luiza Marques Ayres da Silva

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引用次数: 0

摘要

本研究旨在将粘土的技术方面与巴西里贝拉河谷Apiaí工匠协会世代进行的传统流行陶瓷制造联系起来。里贝拉河谷被联合国教科文组织认定为世界文化和自然遗产。粘土的化学矿物学、工艺和陶瓷性质对于确定艺术作品的美学特征和选择特定的制作方法非常重要。方法包括广泛的书目研究;实地考察收集数据和粘土样品，在实验室调查其特征，并对结果进行比较。实验和技术知识之间的充分性得到了证明。这项研究也有望帮助传播和加强Apiaí的艺术、文化和历史遗产，并鼓励在里贝拉河谷制定文化保护的公共政策。

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Apiaí’s popular Brazilian ceramics: cultural heritage preservation through a technical approach

The present study aims to relate clays’ technical aspects to the traditional popular ceramics manufacture carried out for generations by the Association of Artisans of Apiaí artisans in Vale do Ribeira (Brazil). The Vale do Ribeira is considered a cultural and natural World Heritage site by UNESCO. The clays’ chemical-mineralogical, technological, and ceramic properties were important in defining the aesthetic characteristics of artistic work and in selecting of a specific execution method. The methodology comprises extensive bibliographic research; field visits for data and clay samples collection to survey their characteristics in the laboratory, and the comparison of results. Adequacy between experimentation and technical knowledge was proven. This study is also expected to help disseminate and enhance Apiaí’s artistic, cultural, and historical heritage and encourage the development of public policies for cultural preservation in Vale do Ribeira.

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来源期刊

Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.