作为燃烧的建筑的艺术家

IF 0.4 2区 艺术学 0 THEATER
Sarah Richter
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引用次数: 0

摘要

在伊夫·拉里斯·科恩的两场表演《保护》和《保存》中,出现了几十个剧院,包括:残酷剧院、戏剧极简主义雕塑、法律剧院、手术室和壮观的灾难。它们为探索戏剧的冗余、拒绝、过度、暴力、言语和(不)修复的可能性提供了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Artist as Burning Building
Dozens of theatres emerge in Yve Laris Cohen’s two performances, Conservation and Preservation, including: the theatre of cruelty, theatrical minimalist sculpture, legal theatres, operating theatres, and spectacular disasters. They provide the groundwork for exploring theatrical redundancy, refuse, excess, violence, speech, and the (im)possibility of repair.
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
63
期刊介绍: TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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