{"title":"论地表实体的毁灭","authors":"Christian Bonnefoi, Susan de Muth","doi":"10.1080/17561310.2020.1876824","DOIUrl":null,"url":null,"abstract":"Abstract Focusing on the work of the Robert Ryman and with additional thoughts about Robert Motherwell, this text addresses co-called Analytic Abstraction in painting, for which it finds precedents in the Picasso’s collages and the Constructivism of László Moholy-Nagy.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"345 - 351"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1876824","citationCount":"0","resultStr":"{\"title\":\"On the Destruction of the Surface Entity\",\"authors\":\"Christian Bonnefoi, Susan de Muth\",\"doi\":\"10.1080/17561310.2020.1876824\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Focusing on the work of the Robert Ryman and with additional thoughts about Robert Motherwell, this text addresses co-called Analytic Abstraction in painting, for which it finds precedents in the Picasso’s collages and the Constructivism of László Moholy-Nagy.\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\"12 1\",\"pages\":\"345 - 351\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17561310.2020.1876824\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2020.1876824\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2020.1876824","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Abstract Focusing on the work of the Robert Ryman and with additional thoughts about Robert Motherwell, this text addresses co-called Analytic Abstraction in painting, for which it finds precedents in the Picasso’s collages and the Constructivism of László Moholy-Nagy.