熟悉的重罪犯:1905-2015年媒体对犯罪女性的性别特征和叙事修辞

IF 1.7 3区 社会学 Q2 CRIMINOLOGY & PENOLOGY
Tua Sandman
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引用次数: 3

摘要

本文认为,当代关于冒犯女性的表现的著作提供了一个简化的“可用”表现的大纲。为了使我们的理解更加微妙和复杂,这项研究揭示了瑞典媒体对女性犯罪者最显著的媒体特征。与之前的许多研究相比,它涵盖了各种犯罪类型和广泛的时间段(1905-2015),并且不再关注特大案件和极端越轨案件。首先,该研究表明,特征是偶然的,“可用”表征的多样性比之前的研究表明的要大。这些特征倾向于在坏、疯狂和悲伤的类别之间移动。其次,该研究显示了叙事的连续性(跨案例和跨时间),并分析了性别特征的社会和文化作用。在将注意力转向意义构建和熟悉度构建的同时,文章使女性越轨行为主要或必然表现为他者性的假设复杂化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Familiar felons: Gendered characterisations and narrative tropes in media representations of offending women 1905–2015
This article contends that contemporary writings on the representation of offending women provide a simplified outline of ‘available’ representations. To nuance and further complicate our understanding, this study lays bare the most salient media characterisations of women perpetrators in Swedish press. In contrast to much previous research, it covers various offence types and an extensive period of time (1905–2015) and moves away from the focus on mega-cases and cases of extreme deviance. First, the study illustrates that characterisations are contingent and that there is a greater variety in ‘available’ representations than previous research suggests. The characterisations rather tend to move between and beyond the categories of bad, mad and sad. Second, the study makes visible the narrative continuities (across cases and over time) and analyses the social and cultural work of gendered characterisations. While steering attention to sense-making and the construction of familiarity, the article complicates the assumption that women’s deviance primarily or necessarily is represented as otherness.
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来源期刊
CiteScore
3.80
自引率
11.10%
发文量
33
期刊介绍: Crime, Media, Culture is a fully peer reviewed, international journal providing the primary vehicle for exchange between scholars who are working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture. The journal invites papers in three broad substantive areas: * The relationship between crime, criminal justice and media forms * The relationship between criminal justice and cultural dynamics * The intersections of crime, criminal justice, media forms and cultural dynamics
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