在直布罗陀国家腐烂的东西:m·g·桑切斯的边疆自传体探索

I. Habermann
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引用次数: 0

摘要

本文关注的是桑切斯自传作品中直布罗陀作为一个混合边界的问题。桑切斯在20世纪70年代边境关闭期间在直布罗陀长大,现在住在英国,曾广泛旅行,并在日本和印度生活了几年。桑切斯是英国直布罗陀作家,在某种程度上是一个“游牧民族”,他与直布罗陀保持着密切的联系,在那里他有家人和朋友,定期访问直布罗陀,并积极参与直布罗陀的文化和政治辩论。在他的作品中,桑切斯探索了直布罗陀文化的重写性质,记录了他出生地的变化,同时也关注了过去的痕迹、记忆和殖民文化的残余。特别是,桑切斯将直布罗陀视为一个边界景观和一个专注于边界线的文化混合之地。本文认为,桑切斯以其写作《直布罗陀》的方式,为英国脱欧时期直布罗陀当前的身份谈判做出了重要贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Something Rotten in the State of Gibraltar: M. G. Sanchez's Autobiographical Explorations of Borderlands
abstract:This article is concerned with Gibraltar as a hybrid borderland in M. G. Sanchez's autobiographical works. Sanchez grew up in Gibraltar during the border closure in the 1970s and now lives in England, having traveled widely and lived for some years in Japan and India. A British Gibraltarian writer and in some ways a "nomadic subject," Sanchez keeps close ties with Gibraltar, where he has family and friends, visiting regularly and taking an active part in Gibraltarian cultural and political debates. In his work, Sanchez explores the palimpsestic quality of Gibraltarian culture, registering the changes in his birthplace while also attending to the traces of the past, the memories and the residue of a colonial culture. In particular, Sanchez sees Gibraltar as a borderscape and a culturally hybrid place preoccupied with borderlines. This article argues that with his approach to writing Gibraltar, Sanchez makes an important contribution to Gibraltar's current negotiation of identity in times of Brexit.
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