透过喜剧的玻璃，黑暗:伦理、幽默和西班牙早期技术统治时期的房屋所有权(1957-1963)

IF 0.4 Q3 LAW

Law Culture and the Humanities Pub Date : 2022-11-29 DOI:10.1177/17438721221131895

Diana Roxana Jorza

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引用次数: 0

摘要

本文分析了佛朗哥极权统治时期的三部对立电影喜剧，当时西班牙过渡到天主事工会的技术官僚统治时期，以及为解决当时长期的住宿问题而成立的住房部之后。我的分析主要集中在La vida por delante/ Life Ahead (Dir。费尔南多Fernán Gómez, 1958)， El pisito/小公寓(导演)。马尔科·费雷利，1959年)和埃尔·弗杜戈/刽子手(导演)。Luis García Berlanga, 1963)幽默地批判了当时的住房困境和现有的住宅立法。本文认为，这些喜剧通过成功地诉诸于一种明显的物质主义、反戏剧的话语和冷酷无情的人物，有效地突破了当代西班牙的道德、政治和审美礼仪的霸权认可门槛，在他们绝望地追求体面的住房和社会进步的过程中，他们倾向于连续的道德投降。

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Through a Comedic Glass, Darkly: Ethics, Humor, and Home Ownership in Spain’s Early Technocratic Years (1957–1963)

The current essay analyzes three oppositional film comedies produced during Franco’s totalitarian regime, after Spain transitioned to an Opus Dei technocratic rule and after the Ministry of Housing was created to solve the chronic lodging problems of the time. My analysis focuses on how La vida por delante/ Life Ahead (Dir. Fernando Fernán Gómez, 1958), El pisito/ The Little Apartment (Dir. Marco Ferreri, 1959), and El verdugo/ The Executioner (Dir. Luis García Berlanga, 1963) humorously critique the contemporaneous housing predicaments and the existing residential legislation. The article argues that these comedies effectively breach the hegemonically sanctioned thresholds of ethical, political, and aesthetic decorum of contemporaneous Spain by successfully resorting to an eminently materialistic, antimelodramatic discourse and to unsympathetic characters, prone to successive moral capitulations in their desperate chase for a decent housing and social advancement.

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Law Culture and the Humanities LAW-

CiteScore

1.40

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0.00%

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